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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="other" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">Human Physiology</journal-id><journal-title-group><journal-title xml:lang="en">Human Physiology</journal-title><trans-title-group xml:lang="ru"><trans-title>Физиология человека</trans-title></trans-title-group></journal-title-group><issn publication-format="print">0131-1646</issn><issn publication-format="electronic">3034-6150</issn><publisher><publisher-name xml:lang="en">The Russian Academy of Sciences</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">664004</article-id><article-id pub-id-type="doi">10.31857/S0131164623700236</article-id><article-id pub-id-type="edn">GHXLHN</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>Articles</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Статьи</subject></subj-group><subj-group subj-group-type="article-type"><subject></subject></subj-group></article-categories><title-group><article-title xml:lang="en">Neurophysiological Characteristics of “Transferring” the Metaphorical Meaning of Images Into Original Titles</article-title><trans-title-group xml:lang="ru"><trans-title>Нейрофизиологические характеристики “переработки” метафорического смысла изображений в оригинальные названия</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Nagornova</surname><given-names>Zh. V.</given-names></name><name xml:lang="ru"><surname>Нагорнова</surname><given-names>Ж. В.</given-names></name></name-alternatives><email>nagornova_zh@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Galkin</surname><given-names>V. A.</given-names></name><name xml:lang="ru"><surname>Галкин</surname><given-names>В. А.</given-names></name></name-alternatives><email>nagornova_zh@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Shemyakina</surname><given-names>N. V.</given-names></name><name xml:lang="ru"><surname>Шемякина</surname><given-names>Н. В.</given-names></name></name-alternatives><email>nagornova_zh@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Sechenov Institute of Evolutionary Physiology and Biochemistry, RAS</institution></aff><aff><institution xml:lang="ru">ФГБУН Институт эволюционной физиологии и биохимии 
имени И.М. Сеченова РАН</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2023-05-01" publication-format="electronic"><day>01</day><month>05</month><year>2023</year></pub-date><volume>49</volume><issue>3</issue><fpage>52</fpage><lpage>66</lpage><history><date date-type="received" iso-8601-date="2025-02-25"><day>25</day><month>02</month><year>2025</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2023, Ж.В. Нагорнова, В.А. Галкин, Н.В. Шемякина</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2023, Ж.В. Нагорнова, В.А. Галкин, Н.В. Шемякина</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="en">Ж.В. Нагорнова, В.А. Галкин, Н.В. Шемякина</copyright-holder><copyright-holder xml:lang="ru">Ж.В. Нагорнова, В.А. Галкин, Н.В. Шемякина</copyright-holder></permissions><self-uri xlink:href="https://journals.eco-vector.com/0131-1646/article/view/664004">https://journals.eco-vector.com/0131-1646/article/view/664004</self-uri><abstract xml:lang="en"><p id="idm45181323798912">In the ERP study we aimed to find differences between creating titles for artistic images distinguishing by their meaning and stylistics. Thirty six adolescents (16 m; 20 f. Mean age: 15.9 ± 1.1 years) took part in two studies. Images from three categories – “cartoons”, “plot sketches”, “paintings” – full of metaphors and symbols were used as the stimuli. We considered creating titles for “cartoons” and “plot sketches” of modern artists as convergent creative task based on guessing of artists thought, at the same time the task – creating the titles for “paintings” was considered by us as more open and divergent creative task. During creating titles ERP’s amplitude for the “plot sketches” vs “cartoons” was higher in parietal-occipital and frontal, central, parietal areas on intervals 116–208 and 492–656 ms respectively. During creating titles for the paintings in the author’s style vs realistic paintings differences in ERP’s amplitude were found in occipital areas (152–264 ms), frontal and occipital areas bilateral (208–440 ms) and in frontal, temporal, central, parietal areas with maximum in the left hemisphere (544–600 ms). Late positive wave with different latency, was found in two studies – “plot sketches” vs “cartoons”(492–656 ms) and – “author’s style” vs realistic images (544–600 ms) and suggested to be connected with the extraction and analysis of the metaphorical meaning and symbols in the images for creating of the verbal interpretation (title). Only in performing a convergent creative task (closely related to the interpretation of the artist’s idea), finding the answer was accompanied by a smaller amplitude of late differences in the interval of 1300–1650 ms (more than 1500 ms before the moment when the answer was marked as have been found), while there were no significant differences between finding and not finding the answer in the second study. With the same task and in the conditions of finding/not finding the answer, we assumed that in the first study a process of comparing one’s own ideas with a certain desired (laid down by the author) meaning, that was expressed more strongly than in the second study, was needed.</p></abstract><trans-abstract xml:lang="ru"><p id="idm45181323792752">В данной работе были исследованы особенности связанных с событием потенциалов (ССП) при придумывании подростками названий к разным по содержанию и стилистике художественным изображениям. В двух исследованиях приняли участие 36 подростков (16 м: 20 ж, средний возраст: 15.9 ± 1.1 лет). В качестве стимульного материала использовали изображения из категорий – “карикатуры”, “сюжетные зарисовки” и “живопись”. Задача придумывать названия к работам современных художников, содержащих метафоры и символы, а именно: к “сюжетным зарисовкам” и “карикатурам” рассматривалась, как конвергентная творческая задача, тогда как работа с изображениями из категории “живопись” – как более открытая, дивергентная творческая задача. При придумывании названий к “сюжетным зарисовкам” в сравнении с “карикатурами” амплитуда ССП на интервалах 116–208 и 492–656 мс была больше в теменно-затылочных и лобных, центральных, теменных областях левого полушария, соответственно. Во втором исследовании, при придумывании названий к изображениям в авторском стиле по сравнению с реалистичными изображениями этого же художника – различия ССП были выявлены в затылочных областях (152–264 мс), лобных и затылочных областях билатерально (308–440 мс) и лобных, височных, центральных и теменных областях с акцентом в левом полушарии (544–600 мс). Поздняя положительная волна, выявленная в двух исследованиях (с латентностью 492–656 мс в сравнении “сюжетные зарисовки” <italic>vs</italic> “карикатуры” и 544–600 мс в сравнении “авторский стиль” <italic>vs</italic> реалистичные изображения) может быть связана с извлечением и анализом метафорического смысла и символов изображений для создания вербальной интерпретации (придуманного названия). Только при выполнении конвергентной творческой задачи (тесно связанной с интерпретацией замысла художника) нахождение ответа сопровождалось меньшей амплитудой поздних различий на интервале 1300–1650 мс (за более чем 1500 мс до момента обозначения нахождения ответа), тогда как значимых различий между нахождением и отсутствием ответа во втором исследовании выявлено не было. В условиях единой инструкции, авторы предположили, что в первом исследовании нахождение ответа сопровождалось более выраженным процессом сличения/сопоставления собственных идей с неким искомым (заложенным художником) смыслом, что выражалось в поздних отличиях между условиями нахождения и отсутствия ответа, тогда как во втором исследовании, в условиях дивергентной задачи – процесс сличения собственного и заложенного смысла был выражен слабее и не отразился в ряде поздних отличий.</p></trans-abstract><kwd-group xml:lang="en"><kwd>event-related potentials (ERP)</kwd><kwd>images</kwd><kwd>visual metaphors</kwd><kwd>plot sketches</kwd><kwd>cartoons</kwd><kwd>painting</kwd><kwd>verbal creativity</kwd><kwd>adolescents.</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>связанные с событием потенциалы</kwd><kwd>изображения</kwd><kwd>визуальные метафоры</kwd><kwd>сюжетные зарисовки</kwd><kwd>карикатуры</kwd><kwd>живопись</kwd><kwd>вербальное творчество</kwd><kwd>подростки.</kwd></kwd-group></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Fink A., Benedek M., Grabner R.H. 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