PhD (Arts), Associate Professor, Vice Rector for Science, VGIK
кандидат искусствоведения, доцент, проректор по научной работе
sound designer, VGIK
звукорежиссер
For a long time, Japanese cinema has been developing separately, mastering the specifics of the new art, which came from the West, and at the same time trying to solve within its framework the problem of "national identity". However, since the 1950s, Japanese cinema has become widely known abroad and is gaining recognition in the West. The present day no one doubts the huge contribution of Japanese filmmakers to the history of world cinema. Nevertheless, the study of Japanese cinema in Russian cinema theory still remains the prerogative of a few professionals who know the Japanese language and are closely acquainted with the Japanese mentality, culture and art, which exert a great influence on the artistic features of Japanese screen art. But in order to even more imbued with the originality of the approach to creating an artistic image in Japanese cinema, it is necessary to draw attention to one of the most important components of its structure, namely, the sound aspect, insufficiently studied in film theory. The novelty of the article is that it analyzes and classifies the sound features of some Japanese movies created in the second half of the 20th - beginning of the 21st centuries, in which the influence of traditional culture manifests itself quite clearly, but at the same time the presence of elements of the Western musical tradition is also noticeable, which reflects to a certain extent the process of transculturalism in cinema that is actual nowadays.
В статье анализируются звуковые особенности японских кинофильмов, созданных во второй половине ХХ - начале XXI века. Прослеживаются факторы воздействия традиций японской культуры на звуковые решения национальных фильмов, выявляется также влияние западного музыкального искусства, что характеризует активизацию процесса транскультурализма в кинематографе, актуального в настоящее время.