Vestnik VGIK I Journal of Film Arts and Film StudiesVestnik VGIK I Journal of Film Arts and Film Studies2074-08322713-2471Eco-vector1487310.17816/VGIK5421-28Research ArticleSoviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo InhabitantsFyodorovaAnastasia Aleksandrovnadoctoral degree-seeker, Cinema Studies Department-VGIK1512201354212801072019Copyright © 2013, Fyodorova A.A.2013The early 1930's were a turning point in the history of Japan and its cinema. The transition to the sound film, the rapid development of documentary genre and use of it for propaganda purposes took place in the context of the filmmakers' interest to the experience of Soviet cinema, its highly expressive editing, documentary style and ideological partiality. The sound documentary «Greater Tokyo» (1932) by V. Shneiderov was created in these years. The film has been forgotten for a long time due to various reasons. The author tries to return the film into the historical context of the early 1930's and analyze the perception of Soviet documentaries in the pre-war Japan.Japandocumentariesrealismsound and music in filmnationalismtravelogueЯпониядокументальное кинореализмзвук и музыка в кинематографенационализмэкспедиционное кино[Ивамото Кэндзи. Сайрэнто кара токи э: нихон эйга кэйсэйки но хито то бунка (От немого кино к говорящему: культура и люди в период формирования японского кинематографа). — Токио, Синвася, 2007.][Кауфман Н. Японское кино. — М.: Теакинопечать, 1929.][Летописцы нашего времени: Режиссеры документального кино / сост. Г.С. Прожико, Д.С. Фирсова. — М.: Искусство, 1987.][Собиэто эйга но 40 нэн (Сорок лет советского кино). — Токио: Сэкай эйгася, 1959.][Ямада Косаку. Ямада Косаку тёсаку дзэнсю (Собрание сочинений Ямада Косаку). — Токио: Иванами сётэн, 2001.][Noё1 Burch, To the Distant Observer: Form and Meaning in the Japanese Cinema (Berkeley: University of California Press, 1979).]