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Title
Authors
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries
Koneva M.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
The sound world of the alienated film character
Rusinova E.A.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
Lost in Translation: Songs in Foreign Films
Parfentyeva Y.N.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.V.
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.A.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
1 - 16 of 16 Items

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