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Title
Authors
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
Alexander Dovzhenko. Poetic Space of Immortality
Vinogradov V.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
Structural Analysis of Film Characters
Boyko M.E.
On The Matter of Market in Cinema
Zhabskiy M.I.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.V.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.V.
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice
Burov A.M.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
1 - 19 of 19 Items

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