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Issue

Title

Authors

Vol 13, No 3(49) (2021)

The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work

Kirillova N.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 10, No 3 (2018)

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 2, No 3 (2010)

Early Antique Imagery

Burov A.M.

(Rus)

Vol 10, No 4 (2018)

Visual Picture of the World in the Reflection of Modern Media

Utilova N.I.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 12, No 3 (2020)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 5, No 2 (2013)

Magic Realism of André Delvaux

Zakrevskaya A.A.

(Rus)

Vol 13, No 2(48) (2021)

Historical Trauma as a Source of Grotesque in Cinema

Babina A.

(Rus)

Vol 12, No 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 4 (2020)

The Image of War in the Cinema of the 60s. Knights without Past and Future

Ianushko A.V.

(Rus)

Vol 10, No 4 (2018)

Composition as a Method of Communication in the Teaching of Fine Arts

Sveshnikov A.V.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 8, No 1 (2016)

Landscape as a Leitmotif of a Film

Shakhovskaya N.A.

(Rus)

Vol 4, No 1 (2012)

Mirror and its Semiotic Modifications in Culture

Kljueva L.B.

(Rus)

Vol 11, No 2 (2019)

The image of prince Myshkin in Russian cinema

Ryabokon’ A.V.

(Rus)

Vol 3, No 2 (2011)

To the Semiotics of the Mirror and Reflectivity

Kljueva L.B.

(Rus)

Vol 4, No 4 (2012)

Phenomenon of the System Repetition in Photography as an Alternative to Film

Burov A.M.

(Rus)

Vol 8, No 4 (2016)

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

Vol 1, No 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

(Rus)

Vol 3, No 3 (2011)

Language, Speech and Image in Analysing Artistic Forms

Mikheyeva Y.V.

(Rus)

Vol 9, No 2 (2017)

“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries

Mylnikov D.Y.

(Rus)

Vol 12, No 1 (2020)

Historical time and the image of the house in A. Sokurov’s work

Klimenko N.V.

(Rus)

Vol 4, No 2-3 (2012)

Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema

Reizen O.K.

(Rus)

Vol 6, No 3 (2014)

Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries

Koneva M.N.

(Rus)

Vol 10, No 1 (2018)

The Media Image as a Motivator for the Humanization of Society

Vazhenina O.A.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 2, No 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 6, No 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 10, No 1 (2018)

Maurice Maeterlinck’s Philosophy of Art

Mankovskaya N.B.

(Rus)

Vol 11, No 1 (2019)

Visual picture of the world in the reflection of modern media

Utilova N.I.

(Rus)

Vol 2, No 4 (2010)

Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent"

Burov A.M., Burov A.M.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 3, No 2 (2011)

The Parable in the Work of World Film Masters

Tugushi S.A.

(Rus)

Vol 4, No 2-3 (2012)

The Image of Home in Cinema

Reizen O.K.

(Rus)

Vol 7, No 2 (2015)

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Malkova L.Y.

(Rus)

Vol 11, No 2 (2019)

Artistic features of Russian TV serials about the Great Patriotic War

Shergova K.A., Muradov A.B.

(Rus)

Vol 3, No 1 (2011)

Hellenistic Reform. Epicureanism and Image Deviations

Burov A.M.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century

Burov A.M.

(Rus)

Vol 12, No 1 (2020)

Techniques for compositional filling the space of a television frame

Shabalin V.V.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 3, No 2 (2011)

Giotto: Open Cubes, Shallow Depths and Specific Repetition

Burov A.M.

(Rus)

Vol 8, No 3 (2016)

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

1 - 47 of 47 Items

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