检索

期
标题
作者
卷 13, 编号 1 (2021)
Convergent Audience: Research Approaches
Bakulev G.
PDF
(Rus)
卷 9, 编号 2 (2017)
The Demand for Russian Cinema
Zhabskiy M.
PDF
(Rus)
卷 13, 编号 2(48) (2021)
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
PDF
(Rus)
卷 5, 编号 3 (2013)
Social and cultural effects of the fragmentation of the audience
Bakulev G.
PDF
(Rus)
卷 4, 编号 4 (2012)
Can “Native” Cinema Be Marketable
Zhabskiy M.
PDF
(Rus)
卷 9, 编号 1 (2017)
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Arysheva A.
PDF
(Rus)
卷 5, 编号 1 (2013)
Can “Native” Cinema Be Marketable
Zhabskiy M.
PDF
(Rus)
卷 5, 编号 2 (2013)
Screen image. Aftereffect
Poznin V.
PDF
(Rus)
卷 10, 编号 1 (2018)
Sergey Eisenstein. A Look into Eternity
Palshkova M.
PDF
(Rus)
卷 10, 编号 3 (2018)
Film Viewing of the Russians on TV Channels: Sociological Analysis
Sharikov A.
PDF
(Rus)
卷 11, 编号 3 (2019)
The film star — the phenomenon of a parasocial relation
Zhabskiy M., Novoselova F., Tarasov К.
PDF
(Rus)
卷 6, 编号 3 (2014)
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.
PDF
(Rus)
卷 11, 编号 2 (2019)
Artistic features of Russian TV serials about the Great Patriotic War
Shergova K., Muradov A.
PDF
(Rus)
卷 7, 编号 1 (2015)
«We» and «Others» - Their Actions and Our Reactions
Fedotova L.
PDF
(Rus)
卷 1, 编号 1 (2009)
System of audiovisual content distribution with application of digital technologies
Levanskaya E.
PDF
(Rus)
卷 7, 编号 3 (2015)
Functional Duality of Cinema
Ushkarev A.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
Television: Process and Phenomenon
Shumakov S.
PDF
(Rus)
卷 9, 编号 2 (2017)
Culture-Bound Items in the Formation of the Cinema Audiences
Voskolovich N., Zhiltsov E.
PDF
(Rus)
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