Nizhnevartovsk Philological BulletinNizhnevartovsk Philological Bulletin2500-1795Nizhnevartovsk State University8919010.5281/zenodo.4276969Research ArticleDETERMINANTS OF COMMUNICATIVE ADAPTATION IN THE LYRIC POETRY OF THE XXI CENTURYBezrukovA. NCandidate of Philology, Associate Professor-Bashkir State University (Branch in Birsk)15122020523926112021Copyright © 2020, Bezrukov A.N.2020The article is an attempt to analyze contemporary Russian lyric poetry. The literary process actively picks up new codes, new aesthetics, new authorial positions, thus developing a new aesthetic system. The practice of experimenting with form and content is manifested in prose, drama, and, of course, in poetry. Quite a lot of new, as yet unknown names are updating their nomination. These are Dmitry Stepanov, Vera Polozkova, Irina (Ah) Astakhova, Ekaterina Ageeva, Stefania Danilova, Marina Eskina, Danila Nozdryakov, Anna Egonian, Yana Akulinina Yulia Solomonova. In our opinion, the work of Sola Monova looks positional in this row. She strives to organically combine the outer body, the language standard - the literary text - with the realities of our time. The relevance and novelty of the work lies in the fact that the work of Yulia Solomonova has practically not been studied, there are no special, specialized works where an assessment of her individual style, peculiarities of poetics would be given. For the analysis of poetic forms, the principles of the theory of communicative adaptation are applied in the work. The indicated methodological variant is complemented by intentions of a receptive nature, empirical observations. The article also proposes the differentiation of Sola Monova's lyrics into typological series. The expediency of this distinction is associated with a situational layout, since it is in this that an effective contact, a dialogue between the “author” and the “listener” is manifested. Sola Monova's poetic discourse is built into a kind of paradigm of masks that overcome communicative adaptation. The conclusion on the text indicates the further development of literary forms, in general, the process of transformation of aesthetic contours. The material can be useful for a general assessment of the poetry of the beginning of the 21st century, for private analyzes of the text, for identifying the prospects for the development of artistic thought.lyric poetrypoetic discourseSola Monovaliterary processtextreading aestheticsnetwork literaturedialoguecommunicative adaptationreceptionлирическая поэзияпоэтический дискурсСола Моновалитературный процесстекстэстетика чтениясетевая литературадиалогкоммуникативная адаптациярецепция[Арутюнова Н.Д. Язык и мир человека. М.: Языки русской культуры, 1999.][Балашова Т.В. Французская поэзия ХХ века. М.: Наука, 1982.][Безруков А.Н. Варианты имперсональной поэтики как основа лирической наррации Ирины Астаховой // Crede Experto: транспорт, общество, образование, язык. 2020а. № 1. С. 89-100.][Безруков А.Н. Иерархия художественного дискурса // Litera. 2017. № 2. С. 45-53.][Безруков А.Н. Поэтика парадокса в системе литературных экспериментов Игоря Губермана // Вестник Государственного гуманитарно-технологического университета. 2020б. № 2. С. 15-21.][Безруков А.Н. Симулякр как новая модель художественного текста // European Social Science Journal. 2014. № 8-2 (47). С. 186-189.][Безруков А.Н. Сюжетология поэтических конструктов // Studia Humanitatis. 2019. № 3, 24. URL: www.st-hum.ru (29.10.2020).][Гаспаров М.Л. Избранные труды. Т.III. О стихе. М.: Языки русской культуры, 1997.][Жолковский А.К. Новая и новейшая поэзия. М.: Изд-во РГГУ, 2009.][Зубова Л.В. Языки современной поэзии. М.: Новое литературное обозрение, 2010.][Лотман Ю.М. Анализ поэтического текста. Структура стиха. Л.: Просвещение, 1972.][Монова Сола. Стихи. М.: Изд-во АСТ, 2019.]