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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="obituary" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">Sphere of culture</journal-id><journal-title-group><journal-title xml:lang="en">Sphere of culture</journal-title><trans-title-group xml:lang="ru"><trans-title>Сфера культуры</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2713-301X</issn><publisher><publisher-name xml:lang="en">Federal State Budgetary Educational Institution of Higher Education - Samara State Institute of Cultur</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">111927</article-id><article-id pub-id-type="doi">10.48164/2713-301X_2021_5_13</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>Articles</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Статьи</subject></subj-group><subj-group subj-group-type="article-type"><subject>Personal</subject></subj-group></article-categories><title-group><article-title xml:lang="en">The solo violin sonatas of Ivan Handoshkin in the context of chamber and instrumental music оf eighteenth-century Russia</article-title><trans-title-group xml:lang="ru"><trans-title>Сольные скрипичные сонаты Ивана Хандошкина в контексте камерно-инструментальной музыки России XVIII века</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Dyatlov</surname><given-names>Dmitry A.</given-names></name><name xml:lang="ru"><surname>Дятлов</surname><given-names>Дмитрий Алексеевич</given-names></name></name-alternatives><address><country country="RU">Russian Federation</country></address><bio xml:lang="en"><p>Doctor of Art History, Professor, Professor of Piano Department</p></bio><bio xml:lang="ru"><p>доктор искусствоведения, профессор, профессор кафедры фортепиано</p></bio><email>diatlovda@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Samara State Institute of Culture</institution></aff><aff><institution xml:lang="ru">Самарский государственный институт культуры</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2021-12-15" publication-format="electronic"><day>15</day><month>12</month><year>2021</year></pub-date><volume>2</volume><issue>3</issue><issue-title xml:lang="en">NO3 (2021)</issue-title><issue-title xml:lang="ru">№3 (2021)</issue-title><fpage>13</fpage><lpage>21</lpage><history><date date-type="received" iso-8601-date="2022-10-17"><day>17</day><month>10</month><year>2022</year></date><date date-type="accepted" iso-8601-date="2022-10-17"><day>17</day><month>10</month><year>2022</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2021, Dyatlov D.A.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2021, Дятлов Д.А.</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="en">Dyatlov D.A.</copyright-holder><copyright-holder xml:lang="ru">Дятлов Д.А.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">https://creativecommons.org/licenses/by/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.eco-vector.com/2713-301X/article/view/111927">https://journals.eco-vector.com/2713-301X/article/view/111927</self-uri><abstract xml:lang="en"><p>This article deals with the composer and violinist Ivan Khandoshkin. The famous Russian virtuoso had a considerable influence on the formation of a national instrumental style. The article presents a panorama of Russian music of the eighteenth century in its various forms. It defines the typical features of the nascent national style in a synthesis of European forms and genres with characteristic features of Russian music. Khandoshkin’s three violin solo sonatas – the peak of his virtuoso instrumental style – are regarded as a cycle.</p></abstract><trans-abstract xml:lang="ru"><p>Статья посвящена композитору и исполнителю Ивану Хандошкину. Знаменитый российский скрипач-виртуоз оказал заметное влияние на формирование национального инструментального стиля. В статье представлена панорама русской музыки XVIII в. в различных формах ее бытования. Определены характерные черты нарождающегося национального стиля в синтезе европейских форм, жанров и характерных особенностей русскоймузыки. Три скрипичные сольные сонаты - вершина виртуозного инструментального стиля Ивана Хандошкина - рассматриваются как единый микроцикл.</p></trans-abstract><kwd-group xml:lang="en"><kwd>18th-century Russian music</kwd><kwd>Ivan Khandoshkin</kwd><kwd>Russian violin art</kwd><kwd>national instrumental style</kwd><kwd>sonata for solo violin</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>русская музыка XVIII в.</kwd><kwd>Иван Хандошкин</kwd><kwd>русское скрипичное искусство</kwd><kwd>национальный инструментальный стиль</kwd><kwd>соната для скрипки соло</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><citation-alternatives><mixed-citation xml:lang="en">Istoriia russkoi muzyki: uchebnik (2009) [History of Russian music: textbook]. Ed. E. Sorokinoi, A. Kandinskogo. Moscow: Muzyka: noty [musical notes]. (In Russian).</mixed-citation><mixed-citation xml:lang="ru">Владышевская Т., Левашева О., Кандинский А. 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