COMMON GUILD FUNDS IN THE 15TH–18TH CENTURIES’ REIMS

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The paper examines the traditions of collecting, storing, accounting and spending the common funds of the Reims guilds in the Middle Ages and the Modern Period. With these funds, corporations paid royal taxes, paid for the work of their officials, church services, legal costs, and ran current affairs. The author examined in detail the sources of income: both regular and one-time payments, including entrance fees of masters, journeymen and apprentices, deductions from fines and confiscations, and others. The author presents the main items of expense, the rules about the regular financial reports to the representatives of corporations and to the city authorities, the practices aimed at preventing losses and waste of common funds.

Sobre autores

E. Kirillova

Institute of World History, Russian Academy of Sciences

Email: kkirillova@mail.ru
Moscow, Russian Federation

Bibliografia

  1. Кириллова Е.Н. Корпорации раннего Нового времени: ремесленники и торговцы Реймса в XVI–XVIII веках. М., 2007.
  2. Кириллова Е.Н. История ремесла во Франции XIII–XVIII веков: стать мастером. СПб., 2019.
  3. Кириллова Е.Н. Делопроизводство ремесленных корпораций Реймса в XVI–XVIII вв. // Документальное наследие и историческая наука: Материалы Уральского историко-архивного форума, посвященного 50-летию историко-архивной специальности в Уральском университете. Екатеринбург, 11–12 сентября 2020 г. / отв. ред. Л.Н. Мазур. Екатеринбург, 2020. С. 346–350.
  4. Histoire de Reims / sous la dir. de P. Desportes. Toulouse, 1983. Hoock J. Réunion de métiers et marché regional: Les marchands réunis de la ville de Rouen au debut du XVIIIe siècle // Annales: Histoire, Sciences sociales. 2005. N 2. Mars–avril. P. 301–322.
  5. Kirillova E. Tailleurs d’habits et couturières à Reims en 1716: Une étude de cas pour l’histoire sociale // Histoire, économie & société. 2021. N1: Regards d’historiens russes sur la France d’Ancien Régime. P. 86–99.
  6. Reynaud J. Un vieux corps de métier marseillais: les auffiers. Marseille, 1929.

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