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“To Brew a Prefabricated Medley of the Wreckage of All Groups”: The Russian Association of Proletarian Writers in the Federation of Associations of Soviet Writers
Moskovskaya D.
The Formation of the Novel: Literature Vs. Theory of Literature
Popova I.
On the History of the Unpublished VAPP Reference Book “10 Years of Proletarian Literature” (1927–1928)
Klementiev R.
“Don Juan” by Molière: on the Problem of National Sources of French Comedy with Spanish Plot
Golubkov A.
On the Study of I.A. Krylov’s Fables in China
Pei J.
I. M. Fovitsky about the ode of Prince P. A. Vyazemsky “Indignation”
Ivinsky D.
Semiotics and Mythology in the Works of Michel Tournier
Merkoulova I.
A. F. Labzin is the Author of “The Lamentations of Jeremiah, Translated into Verse”: The Experience of Attribution
Korovin V.
Features of magical realism in the “Neapolitan novels” by Elena Ferrante
Iavorovskaya N.
Lermontov’s reminiscences in the story of I. S. Turgenev “Bezhin Meadow”
Ushakova E.
Folklore and Mythological Motifs and Images in the Lyrical Poetry by Viktor Rydberg
Surkov V.
Eternal images in the late narratives of I. S. Turgenev
Jingjing H.
Italian correspondents of Dmitry Merezhkovsky: Enrico Barfucci and Enrico Bemporad
Giuliano G.
The First Steps Towards “All-Human Brotherhood”: An Episode from the History of Foreign Literature Publishing in Soviet Russia (1917–1922)
Tsyganov D.
The Works of Charles Sorel in the Context of the Debate on “Vraisemblance” in the French Aesthetics of the 17th Century
Ermilova K.
“Anecdotal Interest” in the creative practice of M. E. Saltykov-Shchedrin and N. S. Leskov: a target setting
Kravchuk I.
On the dialogism of genre nature of the concept of “Selected passages from correspondence with friends”: notes on the margins of the book by Iu. V. Mann “In search of a living soul...”
Paderina E.
A. Platonov’s Script “Inspiration (or – Let the Gods Envy Us!)” in the Context of the Cinematographic “Railway” Project 1936–1938
Osipenko M.
Altering Nature (Speculations over Elizaveta Konshina’s Draft Papers)
Akhmetshin R.
Cosmas of maiuma and his contribution into the 8th century reform of hagiopolite hymnography
Nikiforova А.
Bestiary images in the autobiographical book “The Butterfly of Dinard” by Eugenio Montale
Saburova L.
Byzantine Satirical Dialogue as a Stage in the Historical Poetics of the Posthumous Narration
Zuseva-Özkan V.
The Role of Historical Sources in Commenting on A. N. Tolstoy’s Novel Peter the Great
Akimova A.
The Plot of “The Wizard and His Horse” in the Oirat Monument “Aršāni Nomiyin Tuuǰi” (“The Tale of the Nectar Teaching”)
Menyaev B.
Muravyov, Kniazhnin, Voltaire and Le Franc de Pompignan
Ivinskiy A.
“Archive is the Only Way Towards the History of Literature…”: Marking the Jubilee of Natalia V. Kornienko
Moskovskaya D., Papkova E.
“The Fall of Paris” as “the End of Modernism”: Eschatology, War and Ilya Ehrenbourg in a Succession of Cultural Mirrors
Polonskiy V.
“We were born to make a fairy tale come true...”: the estate world in G. Sh. Yakhinaʼs novel “My children”
Bogdanova O.
The “High Disease”: Clinic and Literature (Russian Literature of the 1st Half of the 19th Century and Medicine)
Kotelnikov V.
Poetics of Metamorphosis and “Layering” in a Story “A Small Mistake” by N.S. Leskov: Towards the Problem of the “Classical Writer’s Method”
Evdokimova O.
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