Features of the use of audiovisual works

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The article examines the features of using audiovisual works. The procedure for their use with multiple copyright holders is considered. Characteristics are given to individual methods of using these works. It is noted that with the development of technology, cinema has lost its exclusivity, the creation of audiovisual works has become available to a wide range of people. The involvement of many entities in legal relations on the creation, use, protection of audiovisual works requires appropriate legal regulation.

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作者简介

Oleg Khatuntsev

Russian State Academy of Intellectual Property

编辑信件的主要联系方式.
Email: info@unic.su
SPIN 代码: 1246-7072

Dr. Sci. (Law), Professor, Professor of the Department of Civil and Business Law

俄罗斯联邦, Moscow

参考

  1. Gavrilov E.P., Eremenko V.I. Commentary on Part Four of the Civil Code of the Russian Federation (article by article). Moscow: Exam, 2009. P. 203 (author of the commentary E.P. Gavrilov).
  2. Rodionov M.Yu. The emergence and protection of copyright in the creation of films: dis. ... Cand. of Law. Moscow, 2005. P. 26.
  3. Bliznets I.A., Leontyev K.B. Copyright and related rights: textbook / edited by I.A. Bliznets. Moscow: Prospect, 2014. P. 146.
  4. Dvoryankin G.V. The concept of an audiovisual work in the law of Russia and the countries of the Anglo-Saxon legal family. Issues of Russian Justice. 2020. No. 9. P. 203. (In Rus.)
  5. Matveev A.G. Copyright system in Russia: normative and theoretical models: dis. … doc. jurid. sciences. M., 2016. Pp. 227–229.
  6. Dvoryankin G.V. Features of the legal status of authors of an audiovisual work in the Russian Federation. Copyright (Bulletin of the Academy of Intellectual Property). 2024. No. 1. P. 100.
  7. Jonas V. Ya. The creativity criterion in copyright and judicial practice. Moscow: Legal lit., 1963. P. 51.

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