The Reconceptualization of the Craft Workshopin Relation to «Arts and Sciences»


Cite item

Full Text

Open Access Open Access
Restricted Access Access granted
Restricted Access Subscription or Fee Access

Abstract

The well-established formula of «sciences and arts» contained the main principle of the knowledge structure of the eighteenth century, i.e. the combination of science and practice, science and technology, which meant a special place for the craft workshop as an experimental production space. At the same time, craft workshops, i.e. art chambers at the Academy of Sciences, turned into experimental laboratories of their time, where experimental science took shape. It marked the beginning of the industrial revolution, where fundamental (theory) and applied (practice) science in the development of industry and the entire economy played a decisive role. Peter I started a trend that is clearly visible today, which aimed to promote scientific achievements for the sphere of industry, using the creative potential of scientists, “artists”, artisans, and those referred to as technologists and engineers today. The study employs the methods of social topology.

Full Text

Restricted Access

About the authors

Sergey A. Azarenko

Ural Federal University the first President of Russia B. N. Yeltsin

Author for correspondence.
Email: sergey_azarenko@mail.ru
SPIN-code: 8735-8146
Scopus Author ID: 57210119411

Dr. Sci. (Philos.), Prof.

Russian Federation, Yekaterinburg

Andrei V. Keller

Ural Federal University the first President of Russia B. N. Yeltsin

Email: keller26000@gmail.com
SPIN-code: 7876-3930
Scopus Author ID: 54915645800
ResearcherId: C-5346-2016

Dr. Sci. (Hist.), Dr. phil.

Russian Federation, Yekaterinburg

References

  1. Azarenko S. A. Topological philosophizing and social communication. In Izv. Sarat. un-ta Nov. ser. Ser. Filosofiya. Psihologiya. Pedagogika. 2016. Vol. 16, vyp. 4, pp. 412–417.
  2. Azarenko, S. A. Social reproduction and topology of the limit. Izvestiya Ural'skogo federal'nogo universiteta. Seriya 3. Obshhestvennye nauki. 2018. Vol. 13. No. 3 (179). Ekaterinburg. Pp. 27–37.
  3. Azarenko S. A. Being-in-communication in the сontext of the synthetic paradigm // Pivovarov readings. Synthetic paradigm: science, philosophy, religious studies: materials conference. Yekaterinburg, 2019, pp. 13–16.
  4. Azarenko S. A. Philosophy of history: textbook. Yekaterinburg: Ural University Press, 2021. 184 p.
  5. Azarenko S. A., Keller A. V. Theoretical and methodological aspects of the social topology of the craft. Intellekt. Innovatsii. Investitsii. 2021. No 5, pp. 81–90.
  6. Gize M. E. Essays on the history of art design in Russia in the 18th — beginning 20th centuries. Leningrad, 1978.
  7. Danilevskiy V. V. Nartov and «Clear spectacle of machines». Moscow-Leningrad, 1958.
  8. Zagorskiy F. N. Andrey Konstantinovich Nartov, 1693–1756. L., 1969. 166 p.
  9. Keller A. V. Artifex Petersburgensis. Trades in St. Petersburg from the 18th to the Early 20th Centuries (administrative-legislative and socio-economic aspects): monografija. SPb., 2020. 630 p.
  10. Tarnovsky K. N. Small industry in Russia in the late 19th — early 20th centuries. M., 1995, 267 p.
  11. Epstein S. R. «Craft Guilds, Apprenticeship, and Technological Change in Preindustrial Europe». The Journal of Economic History, vol. 58, No. 3, Cambridge University Press, 1998, pp. 684–713.
  12. Sloterdijk P. Der Mensch als homo technologicus. URL: https://www.youtube.com/watch?reload=9&v=-mVZbx0y6DA (обращение: 03.03.2019)].
  13. Sloterdijk P. Du mußt Dein Leben ändern: über Anthropotechnik. Frankfurt a.M., 2009. 723 p.

Supplementary files

Supplementary Files
Action
1. JATS XML


This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies