Email this article Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)
- Authors: Klopotovskaya Y.A.1
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Affiliations:
- VGIK
- Issue: Vol 2, No 3 (2010)
- Pages: 54-63
- Section: PERFORMANCE | ART OF PRESENTATION
- URL: https://journals.eco-vector.com/2074-0832/article/view/15108
- DOI: https://doi.org/10.17816/VGIK2354-63
- ID: 15108
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Abstract
(Conclusion. For beginning see Issue #3-4)The article is devoted to an important topic: the semantics of color in ilms and its relection in the costume. It also touches upon the problem of visual perception and forming diferent color systems. Digital technologies open widest opportunities in the ield of ilm production, but the ofered rich color palette is used very poorly. It is worth reminding that color is one of ilm's main expressive means and should be treated with proper attention.
References
- Аполлон. - М.:Эллис Лак, 1997. С. 615.
- Там же
- Г.К. Пондопуло. Формирование культурной традиции. - М.: ВГИК, 2001. С .6.
- Лихачев Д.С. Прошлое - будущему: статьи и очерки. - Л.: 1985. С. 50.
- Г.К. Пондопуло. Формирование культурной традиции. - М.: ВГИК, 2001. С. 18
- Аполлон. - М.: Эллис Лак, 1997.
- Лихачев Д.С. Прошлое - будущему:статьи и очерки. - Л.: Наука, 1985.
- Нови Л.Ю. Персонаж фильма и художественная функция костюма. - М.: ВГИК, 1983.
- Пондопуло Г.К. Формирование культурной традиции. - М.: ВГИК, 2001
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