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Issue

Title

Authors

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 10, No 3 (2018)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 10, No 3 (2018)

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Danilov D.I.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 4, No 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.S.

(Rus)

Vol 13, No 2(48) (2021)

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Kasmynin A.

(Rus)

Vol 4, No 4 (2012)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 4, No 2-3 (2012)

Sociocultural Functions of Film Libraries and Archives

Malyshev V.S.

(Rus)

Vol 13, No 3(49) (2021)

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 5, No 1 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 2, No 2 (2010)

Second World War Film Chronicle

Prozhiko G.S., Prozhiko G.S.

(Rus)

Vol 5, No 2 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 6, No 3 (2014)

Co-production in Current International Film Industry. Major Trends

Chudakova A.V.

(Rus)

Vol 9, No 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 13, No 3(49) (2021)

The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries

Koneva M.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 1, No 1 (2009)

Cinema of Bulgaria at the turn of century

Utilov V.A.

(Rus)

Vol 5, No 3 (2013)

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.Y.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 13, No 2(48) (2021)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

Vol 11, No 4 (2019)

Cooperation between the Russian Animation Industry and Asian Partners

Krivulya N.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 1, No 1 (2009)

Historical time in a film structure

Marievskaya N.E.

(Rus)

Vol 5, No 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 7, No 1 (2015)

1992-2012. Attempts at Privatization of Film Studios

Ziborova O.P.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.Y.

(Rus)

Vol 9, No 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 3 (2019)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 2, No 1 (2010)

Remakes. The Artistic and Aesthetic Principles

Primakova N.V., Primakova N.V.

(Rus)

Vol 4, No 2-3 (2012)

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.A.

(Rus)

Vol 9, No 2 (2017)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.R.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 13, No 1 (2021)

Folklore Traditions of the Sverdlovsk Animation School

Tomilov Y.

(Rus)

Vol 2, No 1 (2010)

Historical time in a film structure(end, beginning in № 1)

Marievskaya N.E., Marievskaya N.

(Rus)

Vol 4, No 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 8, No 2 (2016)

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Pronin A.A.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 10, No 1 (2018)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 10, No 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 13, No 2(48) (2021)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 5, No 3 (2013)

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.I.

(Rus)

Vol 12, No 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

Vol 12, No 3 (2020)

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 7, No 3 (2015)

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Pankratova M.I.

(Rus)

Vol 8, No 1 (2016)

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.N.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 2 (2018)

The Product of Film Industry - a Cultural Good in Commodity Form

Zhabsky M.I.

(Rus)

Vol 12, No 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 3 (2020)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 5, No 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.V.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 13, No 2(48) (2021)

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Danilov D.

(Rus)

Vol 12, No 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 3, No 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 1 (2013)

State backing of non-fiction film

Malkova L.Y.

(Rus)

Vol 7, No 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O.V., Astakhova N.V., Ivanov D.O.

(Rus)

Vol 8, No 3 (2016)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.A.

(Rus)

Vol 9, No 1 (2017)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.N.

(Rus)

Vol 9, No 1 (2017)

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 3, No 2 (2011)

The Search for Visual

Yeliseyeva Y.A.

(Rus)

Vol 3, No 4 (2011)

Alfred Schnittke and the End of Russian Classic Music

Mikheyeva Y.V.

(Rus)

Vol 4, No 4 (2012)

The Influence of the Marketability Factors on the TV Company

Yakusheva V.V.

(Rus)

Vol 6, No 4 (2014)

Strategies of Audiovisual Translation

Bakulev G.P.

(Rus)

Vol 7, No 3 (2015)

Evolution of Dramaturgy of Fiction Popular Science Films

Kolodinskiy M.N.

(Rus)

Vol 8, No 3 (2016)

Indian Cinema: Past and Present

Nefedova D.N.

(Rus)

Vol 8, No 4 (2016)

«Pulsating Organizations» in Culture

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia

Sidorenko V.I.

(Rus)

Vol 12, No 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 12, No 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 11, No 2 (2019)

Russian Documentary at the Turn of the 21st Century

Prozhiko G.S.

(Rus)

Vol 2, No 2 (2010)

Artist and Repression: Reflections

Perel'shteyn R.M., Perelshtein R.M.

(Rus)

Vol 2, No 2 (2010)

The Unknown Cinema of the War and Victory

Grashchenkova I.N., Grashchenkova I.N.

(Rus)

Vol 5, No 1 (2013)

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 3 (2014)

Crime Teenpic as a Subgenre of American Cinema

Zharikova V.V.

(Rus)

Vol 7, No 2 (2015)

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Malkova L.Y.

(Rus)

Vol 7, No 1 (2015)

European Film Avant-Garde: Poetics of Objectiveness

Lyubovich M.V.

(Rus)

Vol 8, No 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 8, No 3 (2016)

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Kazyutchits M.F.

(Rus)

1 - 100 of 169 Items 1 2 > >>

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