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Issue

Title

Authors

Vol 4, No 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.S.

(Rus)

Vol 4, No 2-3 (2012)

Sociocultural Functions of Film Libraries and Archives

Malyshev V.S.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 5, No 1 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 4, No 4 (2012)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 1, No 1 (2009)

Cinema of Bulgaria at the turn of century

Utilov V.A.

(Rus)

Vol 5, No 3 (2013)

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.Y.

(Rus)

Vol 2, No 2 (2010)

Second World War Film Chronicle

Prozhiko G.S., Prozhiko G.S.

(Rus)

Vol 5, No 2 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 6, No 3 (2014)

Co-production in Current International Film Industry. Major Trends

Chudakova A.V.

(Rus)

Vol 9, No 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 10, No 3 (2018)

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Danilov D.I.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 11, No 3 (2019)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 2, No 1 (2010)

Remakes. The Artistic and Aesthetic Principles

Primakova N.V., Primakova N.V.

(Rus)

Vol 4, No 2-3 (2012)

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.A.

(Rus)

Vol 9, No 2 (2017)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.R.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 2, No 1 (2010)

Historical time in a film structure(end, beginning in № 1)

Marievskaya N.E., Marievskaya N.

(Rus)

Vol 4, No 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 8, No 2 (2016)

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Pronin A.A.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 10, No 1 (2018)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 10, No 3 (2018)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 5, No 3 (2013)

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.I.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 7, No 3 (2015)

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Pankratova M.I.

(Rus)

Vol 8, No 1 (2016)

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.N.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 2 (2018)

The Product of Film Industry - a Cultural Good in Commodity Form

Zhabsky M.I.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 5, No 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.V.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 10, No 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 3, No 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 1 (2013)

State backing of non-fiction film

Malkova L.Y.

(Rus)

Vol 7, No 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O.V., Astakhova N.V., Ivanov D.O.

(Rus)

Vol 8, No 3 (2016)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.A.

(Rus)

Vol 9, No 1 (2017)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.N.

(Rus)

Vol 9, No 1 (2017)

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 11, No 4 (2019)

Cooperation between the Russian Animation Industry and Asian Partners

Krivulya N.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 1, No 1 (2009)

Historical time in a film structure

Marievskaya N.E.

(Rus)

Vol 5, No 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 7, No 1 (2015)

1992-2012. Attempts at Privatization of Film Studios

Ziborova O.P.

(Rus)

Vol 13, No 2(48) (2021)

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Kasmynin A.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.Y.

(Rus)

Vol 9, No 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 2, No 2 (2010)

Traditions and Innovations in Film Education

Novikov A.V., Novikov A.V.

(Rus)

Vol 3, No 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 4, No 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.P.

(Rus)

Vol 5, No 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 5, No 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.A.

(Rus)

Vol 6, No 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.O.

(Rus)

Vol 7, No 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 8, No 4 (2016)

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.S.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 1 (2021)

Folklore Traditions of the Sverdlovsk Animation School

Tomilov Y.

(Rus)

Vol 12, No 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.S.

(Rus)

Vol 11, No 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

Vol 1, No 1 (2009)

Choice of profession: the bases of producer's workmanship

Chigevskaya O.A.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 4, No 4 (2012)

The Peculiarities of Financial Management of Cinema Houses

Ogurchikov P.K., Pichugin E.A.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 5, No 3 (2013)

The Myth of the Authenticity of the Wartime Newsreels

Prozhiko G.S.

(Rus)

Vol 6, No 3 (2014)

Cinematic Nature of English Pre-Raphaelites’ Painting

Bernatonite A.V.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 8, No 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 10, No 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 13, No 2(48) (2021)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 1, No 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 2, No 3 (2010)

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.P.

(Rus)

Vol 2, No 1 (2010)

Screen in the new time

Krivosheev M.I., Krivocheev M.I.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 5, No 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 6, No 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 7, No 3 (2015)

Visualization Techniques on Business TV

Dolgova Y.I.

(Rus)

1 - 100 of 169 Items 1 2 > >>

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