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Issue

Title

Authors

Vol 4, No 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.S.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 5, No 1 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 4, No 4 (2012)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 4, No 2-3 (2012)

Sociocultural Functions of Film Libraries and Archives

Malyshev V.S.

(Rus)

Vol 1, No 1 (2009)

Cinema of Bulgaria at the turn of century

Utilov V.A.

(Rus)

Vol 5, No 3 (2013)

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.Y.

(Rus)

Vol 2, No 2 (2010)

Second World War Film Chronicle

Prozhiko G.S., Prozhiko G.S.

(Rus)

Vol 5, No 2 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 6, No 3 (2014)

Co-production in Current International Film Industry. Major Trends

Chudakova A.V.

(Rus)

Vol 9, No 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 10, No 3 (2018)

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Danilov D.I.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 7, No 3 (2015)

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Pankratova M.I.

(Rus)

Vol 8, No 1 (2016)

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.N.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 2 (2018)

The Product of Film Industry - a Cultural Good in Commodity Form

Zhabsky M.I.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 5, No 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.V.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 10, No 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 3, No 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 1 (2013)

State backing of non-fiction film

Malkova L.Y.

(Rus)

Vol 7, No 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O.V., Astakhova N.V., Ivanov D.O.

(Rus)

Vol 8, No 3 (2016)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.A.

(Rus)

Vol 9, No 1 (2017)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.N.

(Rus)

Vol 9, No 1 (2017)

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 1, No 1 (2009)

Historical time in a film structure

Marievskaya N.E.

(Rus)

Vol 5, No 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 7, No 1 (2015)

1992-2012. Attempts at Privatization of Film Studios

Ziborova O.P.

(Rus)

Vol 13, No 2(48) (2021)

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Kasmynin A.

(Rus)

Vol 11, No 4 (2019)

Cooperation between the Russian Animation Industry and Asian Partners

Krivulya N.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.Y.

(Rus)

Vol 9, No 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 11, No 3 (2019)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 2, No 1 (2010)

Remakes. The Artistic and Aesthetic Principles

Primakova N.V., Primakova N.V.

(Rus)

Vol 4, No 2-3 (2012)

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.A.

(Rus)

Vol 9, No 2 (2017)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.R.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 2, No 1 (2010)

Historical time in a film structure(end, beginning in № 1)

Marievskaya N.E., Marievskaya N.

(Rus)

Vol 4, No 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 8, No 2 (2016)

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Pronin A.A.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 10, No 1 (2018)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 10, No 3 (2018)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 5, No 3 (2013)

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.I.

(Rus)

Vol 13, No 3(49) (2021)

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 12, No 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

Vol 2, No 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 4, No 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1 (2013)

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.V.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4 (2015)

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 12, No 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.S.

(Rus)

Vol 2, No 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4 (2010)

The Pattern of Box-Office Receits

Pigorev D.P., Pigorev D.P.

(Rus)

Vol 3, No 4 (2011)

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.P.

(Rus)

Vol 6, No 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4 (2015)

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 7, No 3 (2015)

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.A.

(Rus)

Vol 9, No 1 (2017)

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 1 (2017)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3 (2017)

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.Y.

(Rus)

Vol 10, No 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

Vol 13, No 2(48) (2021)

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Danilov D.

(Rus)

Vol 12, No 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

Vol 12, No 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 1, No 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E.A., Klopotovskaya Y.A.

(Rus)

Vol 2, No 4 (2010)

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S.L., Urazova S.L.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 1 (2014)

On prerequisites for developing artistic time theory

Marievskaja N.E.

(Rus)

Vol 6, No 4 (2014)

Character’s Imagery in Russian Animation of 1990s

Prikhod’ko V.V.

(Rus)

Vol 7, No 3 (2015)

Representation of Youth in Soviet Cinema of the 1950s

Zharikova V.V.

(Rus)

Vol 9, No 4 (2017)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.F.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 13, No 2(48) (2021)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

1 - 100 of 169 Items 1 2 > >>

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