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Title
Authors
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema
Gulyaeva Y.V.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama
Kasmynin A.
Artistic Space as a Modern Aesthetical Category
Nikitina I.P.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
1 - 20 of 20 Items

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