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Sound as a Sign and Artistic Symbol in Film

Rusinova E.

(Rus)

卷 13, 编号 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.

(Rus)

卷 13, 编号 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

卷 13, 编号 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

卷 7, 编号 1 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.

(Rus)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

卷 7, 编号 2 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

卷 13, 编号 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.

(Rus)

卷 13, 编号 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

The Way of Genre in Cinema Documentary

Prozhiko G.

(Rus)

(简体中)

卷 11, 编号 1 (2019)

电视屏幕上的游乐设施: 交通线游戏的规则

Rusinova E.

(Eng)

(Rus)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.

(Rus)

卷 5, 编号 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.

(Rus)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.

(Rus)

卷 12, 编号 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.

(Rus)

卷 10, 编号 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

卷 11, 编号 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.

(Rus)

卷 9, 编号 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.

(Rus)

卷 10, 编号 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.

(Rus)

世界影坛杰作对制片人创造性世界观的影响

Malyshev V.

(Eng)

(简体中)

(Rus)

卷 12, 编号 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

卷 6, 编号 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.

(Rus)

卷 12, 编号 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

The film star — the phenomenon of a parasocial relation

Zhabskiy M., Novoselova F., Tarasov К.

(Rus)

卷 3, 编号 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 4, 编号 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.

(Rus)

卷 6, 编号 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.

(Rus)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.

(Rus)

卷 12, 编号 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

卷 8, 编号 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.

(Rus)

卷 12, 编号 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

卷 11, 编号 2 (2019)

The sound world of the alienated film character

Rusinova E.

(Rus)

卷 6, 编号 3 (2014)

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.

(Rus)

卷 7, 编号 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.

(Rus)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.

(Rus)

卷 3, 编号 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 10, 编号 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E., Habchuk E.

(Rus)

卷 13, 编号 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

卷 11, 编号 1 (2019)

Cinematic media in digital culture

Bakulev G.

(Rus)

卷 9, 编号 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.

(Rus)

卷 12, 编号 3 (2020)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

卷 3, 编号 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.

(Rus)

卷 10, 编号 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.

(Rus)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.

(Rus)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

卷 5, 编号 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.

(Rus)

卷 6, 编号 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.

(Rus)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.

(Rus)

Criteria of Composition of Documentaries about Nature

Berkova N.

(Rus)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.

(Rus)

卷 1, 编号 1 (2009)

Postmodernism as Myths Generating Practice

Mankovskaya N.

(Rus)

卷 2, 编号 1 (2010)

Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")

Turitsyn V., Turitsyn V.

(Rus)

卷 3, 编号 1 (2011)

Situations and Characters of American Pre-War Cinema

Fomina V.

(Rus)

卷 3, 编号 4 (2011)

Alfred Schnittke and the End of Russian Classic Music

Mikheyeva Y.

(Rus)

卷 4, 编号 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.

(Rus)

卷 5, 编号 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A., Andreyev I.

(Rus)

卷 6, 编号 4 (2014)

Time and Essence. Study of Cinema Product Temporal Analysis

Marievskaya N.

(Rus)

卷 7, 编号 4 (2015)

Screening Zurbagan: On Use of Animation in Russian Feature Cinema

Sputnitskaya N.

(Rus)

卷 7, 编号 3 (2015)

Functional Duality of Cinema

Ushkarev A.

(Rus)

卷 8, 编号 3 (2016)

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Kazyutchits M.

(Rus)

Cinema of Arabic East: the Problem of Radical Islam

Shakhov A.

(Rus)

“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries

Mylnikov D.

(Rus)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.

(Rus)

Contemporary Russian Cinema and Its World Contexts

Reisen O.

(Rus)

卷 11, 编号 2 (2019)

Existential problematics in the films of Pedro Costa

Sandu V.

(Rus)

卷 2, 编号 2 (2010)

Traditions and Innovations in Film Education

Novikov A., Novikov A.

(Rus)

卷 2, 编号 1 (2010)

Screen in the new time

Krivosheev M., Krivocheev M.

(Rus)

卷 3, 编号 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.

(Rus)

卷 6, 编号 4 (2014)

Film Studies As a Normative Academic Discipline

Nikitina I., Ivin A.

(Rus)

卷 7, 编号 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O., Astakhova N., Ivanov D.

(Rus)

卷 7, 编号 3 (2015)

State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation

Zhdanova V.

(Rus)

卷 8, 编号 3 (2016)

A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism

Vinogradov V.

(Rus)

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.

(Rus)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.

(Rus)

卷 10, 编号 2 (2018)

“New Drama” in the Context of the Historical Film

Kuzmina L.

(Rus)

卷 10, 编号 2 (2018)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.

(Rus)

卷 11, 编号 2 (2019)

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.

(Rus)

卷 2, 编号 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.

(Rus)

卷 2, 编号 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :., Zakrevskaya A.

(Rus)

卷 3, 编号 3 (2011)

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.

(Rus)

卷 3, 编号 4 (2011)

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.

(Rus)

卷 4, 编号 4 (2012)

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.

(Rus)

卷 6, 编号 1 (2014)

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.

(Rus)

卷 6, 编号 3 (2014)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.

(Rus)

卷 7, 编号 2 (2015)

Stylistic Features Of Russian Arthouse

Poznin V.

(Rus)

卷 7, 编号 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.

(Rus)

卷 8, 编号 1 (2016)

American Biopic in Contemporary Cinema

Morozova I.

(Rus)

卷 9, 编号 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.

(Rus)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.

(Rus)