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Issue

Title

Authors

Vol 13, No 2(48) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 13, No 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.A.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 12, No 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 12, No 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 10, No 3 (2018)

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 10, No 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 10, No 3 (2018)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.E.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 12, No 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 12, No 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

Vol 12, No 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 12, No 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 6, No 3 (2014)

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.I.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 11, No 3 (2019)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 13, No 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 12, No 3 (2020)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

Vol 3, No 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 10, No 4 (2018)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.V.

(Rus)

Vol 12, No 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 9, No 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 11, No 2 (2019)

Existential problematics in the films of Pedro Costa

Sandu V.O.

(Rus)

Vol 2, No 2 (2010)

Traditions and Innovations in Film Education

Novikov A.V., Novikov A.V.

(Rus)

Vol 2, No 1 (2010)

Screen in the new time

Krivosheev M.I., Krivocheev M.I.

(Rus)

Vol 3, No 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 6, No 4 (2014)

Film Studies As a Normative Academic Discipline

Nikitina I.P., Ivin A.A.

(Rus)

Vol 7, No 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O.V., Astakhova N.V., Ivanov D.O.

(Rus)

Vol 7, No 3 (2015)

State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation

Zhdanova V.A.

(Rus)

Vol 8, No 3 (2016)

A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism

Vinogradov V.V.

(Rus)

Vol 9, No 2 (2017)

Cinema of Arabic East: the Problem of Radical Islam

Shakhov A.S.

(Rus)

Vol 9, No 2 (2017)

“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries

Mylnikov D.Y.

(Rus)

Vol 9, No 4 (2017)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.F.

(Rus)

Vol 10, No 4 (2018)

Contemporary Russian Cinema and Its World Contexts

Reisen O.K.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 11, No 2 (2019)

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.V.

(Rus)

Vol 2, No 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.S.

(Rus)

Vol 2, No 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 3, No 3 (2011)

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.N.

(Rus)

Vol 3, No 4 (2011)

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.A.

(Rus)

Vol 4, No 4 (2012)

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.V.

(Rus)

Vol 6, No 1 (2014)

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.A.

(Rus)

Vol 6, No 3 (2014)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.Y.

(Rus)

Vol 7, No 2 (2015)

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 8, No 1 (2016)

American Biopic in Contemporary Cinema

Morozova I.V.

(Rus)

Vol 9, No 2 (2017)

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.A.

(Rus)

Vol 9, No 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

“New Drama” in the Context of the Historical Film

Kuzmina L.V.

(Rus)

Vol 10, No 2 (2018)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 12, No 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 2, No 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4 (2010)

"The Karamazov Brothers" as intellectualgames

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2 (2011)

Mythology and Conventions of American Pre-War Cinema

Fomina V.A.

(Rus)

Vol 3, No 4 (2011)

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.A.

(Rus)

Vol 5, No 2 (2013)

Algeria: Birth of Cinema

Shakhov A.S.

(Rus)

Vol 6, No 1 (2014)

Soviet cinema as a state budget’s contributor. Distribution in the 1930s

Kosinova M.I.

(Rus)

Vol 8, No 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 9, No 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.F.

(Rus)

Vol 9, No 4 (2017)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.N.

(Rus)

Vol 11, No 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Vol 11, No 2 (2019)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

1 - 100 of 168 Items 1 2 > >>

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