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Issue

Title

Authors

Vol 13, No 2(48) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 13, No 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.A.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 12, No 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 13, No 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3 (2018)

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 12, No 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 10, No 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 10, No 3 (2018)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.E.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 13, No 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 12, No 3 (2020)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

Vol 3, No 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 10, No 4 (2018)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.V.

(Rus)

Vol 12, No 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 9, No 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 12, No 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 12, No 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

Vol 12, No 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 12, No 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 6, No 3 (2014)

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.I.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 11, No 3 (2019)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 12, No 1 (2020)

A screen version of the story of Salinger translated into Farsi

Grigoreva N.G.

(Rus)

Vol 11, No 1 (2019)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.S.

(Rus)

Vol 2, No 2 (2010)

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 4, No 1 (2012)

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.O.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 6, No 2 (2014)

Both Screenwriter and Director

Zvegintseva I.A.

(Rus)

Vol 6, No 4 (2014)

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.D.

(Rus)

Vol 7, No 3 (2015)

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

Vol 8, No 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 8, No 4 (2016)

“Provincial” Cinema on Global Orbits

Kirillova N.B.

(Rus)

Vol 9, No 1 (2017)

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 9, No 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Psychological Insight in Asgar Farhadi’s Early Films

Grigorieva N.G.

(Rus)

Vol 11, No 3 (2019)

The story of one crime: in life, in literature and in cinema

Zvegintseva I.A.

(Rus)

Vol 2, No 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2 (2010)

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V.A., Utilov V.

(Rus)

Vol 3, No 1 (2011)

Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"

Ilchenko S.N.

(Rus)

Vol 4, No 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 3 (2013)

Baz Luhrmann’s creative manner

Zvegintseva I.A.

(Rus)

Vol 6, No 2 (2014)

Superhero Cinema Comics: Gender Transposition

Tsyrkun N.A.

(Rus)

Vol 6, No 4 (2014)

James Mangold is “a jewel of a man” in American Cinema

Zvegintseva I.A.

(Rus)

Vol 7, No 2 (2015)

Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 3 (2015)

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.D.

(Rus)

Vol 8, No 1 (2016)

Love in the Soviet Qnema as the Stereotype of Gender Relations

Fanina M.A.

(Rus)

Vol 8, No 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 10, No 1 (2018)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 11, No 3 (2019)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 11, No 1 (2019)

Contemporary Russian cinema and its world contexts

Reisen O.K.

(Rus)

Vol 1, No 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

(Rus)

Vol 2, No 3 (2010)

On the methodology of the study of ontology in the concept of cinema Andre Bazin

Schtein S.Y.

(Rus)

Vol 3, No 1 (2011)

The Influence of Newest Audiovisual Technologies on the Audience

Kosenkova N.G.

(Rus)

Vol 3, No 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 6, No 2 (2014)

Screenplay as a Dynamic Process Model

Marievskaya N.Y.

(Rus)

Vol 7, No 4 (2015)

European Avant-guard: Dialectics of “Feature” and “Non-feature” Films

Lyubovich M.V.

(Rus)

Vol 7, No 3 (2015)

Evolution of Dramaturgy of Fiction Popular Science Films

Kolodinskiy M.N.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 8, No 4 (2016)

Patterns of Behavior in the Great Patriotic War’s Soviet Cinema

Rostotskaya M.A.

(Rus)

Vol 9, No 2 (2017)

The Problem of Adaptation of Utopias in Russian Cinema

Shesteric O.V.

(Rus)

Vol 9, No 3 (2017)

Ethnographic Cinema: the Image of the Other

Prozhiko G.S.

(Rus)

Vol 11, No 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

1 - 100 of 168 Items 1 2 > >>

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