Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
The Price of Going out to the Movies — the History and the Contemporaneousness
Zhabskiy M., Tarasov K.A.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
From Theory to Methodology of Cinema
Schtein S.Y.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
From Theory to Methodology of Cinema
Schtein S.Y.
The Way of Genre in Cinema Documentary
Prozhiko G.S.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Kosinova M.I.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema
Makarova M.
Cinematic media in digital culture
Bakulev G.P.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
Techniques for Representing the Author in Alexander Sokurov’s films
Klimenko N.
Cinema in the Phase of Private Interest
Zakharov D.V.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
Phenomenon of Political Biopic in the English-Language Cinema
Morozova I.V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Sound Space of M.Garrone’s Films: from Fiction to Reality
Sorokina J.
Cinema Policy of Simple Solutions
Zhabsky M.I.
Screen Image and the System of expressive Means in American Documentary of the 1960s
Kazyutchits M.F.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
The film star — the phenomenon of a parasocial relation
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema
Chirkina M.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
Primary Cinema Sources of American Noir
Orozbaev K.N.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The sound world of the alienated film character
Rusinova E.A.
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.I.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
A screen version of the story of Salinger translated into Farsi
Grigoreva N.G.
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate
Il'chenko S.N., Ilchenko S.N.
The Iranian Cinema of the 20th Century (1900-1980)
Mirakhorli A.
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood
Pishita Y.M.
The Reflection of Ethno-Cultural Stereotypes in Film Art
Monakhova M.O.
Screen image. Aftereffect
Poznin V.F.
Both Screenwriter and Director
Zvegintseva I.A.
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
Iran in Contemporary Russian Cinema (Film’s Visual Formula)
Akhmad Mir Akhorli -.
The Birth of Identity in the Finnish Cinema
Ivannikova C.O.
“Provincial” Cinema on Global Orbits
Kirillova N.B.
Cinema and Globalization
Zhabskiy M.I.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Psychological Insight in Asgar Farhadi’s Early Films
Grigorieva N.G.
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
A Long Story about a Big Set for a Short Episode
Tolkachev A.N., Tolkachov A.N.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"
Ilchenko S.N.
The factors of competitive ability of national film industries
Zhabskiy M.I.
Baz Luhrmann’s creative manner
Zvegintseva I.A.
Superhero Cinema Comics: Gender Transposition
Tsyrkun N.A.
James Mangold is “a jewel of a man” in American Cinema
Zvegintseva I.A.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Video Art: Significant Absence of Editing as an Artistic Tool
Staruseva-Persheyeva A.D.
Love in the Soviet Qnema as the Stereotype of Gender Relations
Fanina M.A.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
Contemporary Russian cinema and its world contexts
Reisen O.K.
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
On the methodology of the study of ontology in the concept of cinema Andre Bazin
Schtein S.Y.
The Influence of Newest Audiovisual Technologies on the Audience
Kosenkova N.G.
The factors of competitive ability of national film industries
Zhabskiy M.I.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
Screenplay as a Dynamic Process Model
Marievskaya N.Y.
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films
Lyubovich M.V.
Evolution of Dramaturgy of Fiction Popular Science Films
Kolodinskiy M.N.
On The Matter of Market in Cinema
Zhabskiy M.I.
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema
Rostotskaya M.A.
The Problem of Adaptation of Utopias in Russian Cinema
Shesteric O.V.
Ethnographic Cinema: the Image of the Other
Prozhiko G.S.
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Kuznetsova M.O.
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