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Issue

Title

Authors

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 12, No 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 13, No 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.A.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 5, No 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 13, No 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 6, No 3 (2014)

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.I.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 13, No 2(48) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 11, No 3 (2019)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 3, No 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 9, No 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 12, No 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 13, No 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 12, No 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

Vol 12, No 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 11, No 2 (2019)

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.V.

(Rus)

Vol 2, No 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.S.

(Rus)

Vol 2, No 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 3, No 3 (2011)

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.N.

(Rus)

Vol 3, No 4 (2011)

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.A.

(Rus)

Vol 4, No 4 (2012)

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.V.

(Rus)

Vol 6, No 1 (2014)

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.A.

(Rus)

Vol 6, No 3 (2014)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.Y.

(Rus)

Vol 7, No 2 (2015)

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 8, No 1 (2016)

American Biopic in Contemporary Cinema

Morozova I.V.

(Rus)

Vol 9, No 2 (2017)

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.A.

(Rus)

Vol 9, No 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

“New Drama” in the Context of the Historical Film

Kuzmina L.V.

(Rus)

Vol 10, No 2 (2018)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 12, No 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 12, No 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 2, No 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4 (2010)

"The Karamazov Brothers" as intellectualgames

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2 (2011)

Mythology and Conventions of American Pre-War Cinema

Fomina V.A.

(Rus)

Vol 3, No 4 (2011)

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.A.

(Rus)

Vol 5, No 2 (2013)

Algeria: Birth of Cinema

Shakhov A.S.

(Rus)

Vol 6, No 1 (2014)

Soviet cinema as a state budget’s contributor. Distribution in the 1930s

Kosinova M.I.

(Rus)

Vol 8, No 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 9, No 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.F.

(Rus)

Vol 9, No 4 (2017)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.N.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 10, No 3 (2018)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.E.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 11, No 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Vol 11, No 2 (2019)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4 (2010)

A Film Director in Search of the Genre

Maslennikov I.F., Maslennikov I.F.

(Rus)

Vol 4, No 2-3 (2012)

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

Vol 5, No 1 (2013)

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2 (2015)

Screen Communications As a Form of Socialization and Individualization

Urazova S.L.

(Rus)

Vol 7, No 4 (2015)

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.L.

(Rus)

Vol 7, No 1 (2015)

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3 (2016)

Documentaries, 21st Century: Time to Sum Up

Poznin V.F.

(Rus)

Vol 9, No 1 (2017)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3 (2017)

India and England in the Mirror of Screen

Zvegintseva I.A.

(Rus)

Vol 10, No 2 (2018)

Financing Cinema Production as a High-Risk Activity

Molchanova N.P.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 13, No 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 12, No 1 (2020)

A screen version of the story of Salinger translated into Farsi

Grigoreva N.G.

(Rus)

Vol 11, No 1 (2019)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.S.

(Rus)

Vol 2, No 2 (2010)

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 4, No 1 (2012)

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.O.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 6, No 2 (2014)

Both Screenwriter and Director

Zvegintseva I.A.

(Rus)

Vol 6, No 4 (2014)

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.D.

(Rus)

Vol 7, No 3 (2015)

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

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