期 |
栏目 |
标题 |
文件 |
卷 10, 编号 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
(Rus)
|
卷 8, 编号 3 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
卷 3, 编号 1 (2011) |
WORLD CINEMA | ANALYSIS |
New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc |
(Rus)
|
卷 2, 编号 4 (2010) |
WORLD CINEMA | ANALYSIS |
The Phenomenon of the French NewWave. Technology or Ideology? |
(Rus)
|
卷 2, 编号 3 (2010) |
WORLD CINEMA | ANALYSIS |
Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo |
(Rus)
|
卷 2, 编号 2 (2010) |
WORLD CINEMA | ANALYSIS |
Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte" |
(Rus)
|
卷 11, 编号 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
(Rus)
|
卷 11, 编号 4 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Directing Department: First Steps |
(Rus)
|
卷 12, 编号 3 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
(Rus)
|
卷 13, 编号 3(49) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Alexander Dovzhenko. Poetic Space of Immortality |
(Rus)
|