Cinema and Globalization

Cover Page


Cite item

Full Text

Abstract

Conditioned by globalization, the process of the planetary integration of humanity is contradictory. Ideally, globalization contains enormous positive possibilities for every society, it contributes to the true international ization of the cinema process therein. But as its actual results are determined with the mechanisms of the world film market monopolized by Hollywood, globalization predominantly takes the form of Americanization. Instead of the internalization of the cinematic life of specific societies, something opposite is occurring: its deinternationalization.

About the authors

Mikhail I Zhabskiy

Institute of Film Art (VGIK); State Institute of Art Studies

Author for correspondence.
Email: m.zhabsky@gmail.com

Doctor in Sociology, Head of the Sociology of Screen Art Department; Leading Researcher

Moscow

References

  1. Культурологические записки. Выпуск 9. Художественная культура в эру глобализации. - М., 2004. - 318 с.
  2. Moeschler O. Der Schweizer Film. Kulturpolitik im Wandel: der Staat, die Filmschaffenden, das Publikum. - Marburg, 2013. - 138 S.
  3. Жабский М.И., Тарасов К.А. Развитие киноведения в институциональноконтекстуальной перспективе // Культура и искусство. 2015, № 1 (25). - С. 16-31.

Supplementary files

Supplementary Files
Action
1. JATS XML

Copyright (c) 2017 Zhabskiy M.I.



This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies