Education Genres Animated Poster in the Second Half of the 20th Century

Abstract

After WWII the genre of the animated poster was predominantly presented as advertisment films. The movie posters imagery in the 1950s tended to have an illustrative and spatial-pictorial artistic propensity. Grotesque and satire gave way to the dominance of realistic images, and the artistic design had gained coloration and splendor, creating the image of a cheerful world, affluence and prosperity. Films with propaganda and ideological orientations appeared along with the advertisement films, as the political and social poster developed. A special role in the poster genre development was played by the emergence of television as a major customer and distributor of this product. Unlike Western animation, the production of advertisement and social film-posters in the USSR was a state tool of the planned economy. Animated posters played an important role in the formation of new social strategies, behavior patterns and consumption. As a result, in the animated posters of the Soviet period, especially during the 1950s and 1960s, a didactic tone and an optimistic pathos in the presentation of the material dominated. The stylistics of film-posters changed in the 1960s. Their artistic image was characterized by conciseness and expressiveness, inclination towards iconic symbolism, and the metaphoric and graphic quality of the imagery. The poster aesthetics influenced the entire animation development in this period. The development of advertisement and social posters continued in the 1970s-1980s. The clipping principles of the material presentation began to develop in the advertisement poster, however, in the social and political poster there was a tendency towards narration. Computer technology usage in animation and the emergence of the Internet as a new communicative environment contributed to a new stage in the development of the animated poster genre. Means of expression experienced a qualitative upgrade under the influence of digital technologies in animated posters. While creating an animated poster’s artistic appearance the attraction and collage tendencies intensify due to the compilation of computer graphics and photographic images, furthermore, simulacrum-images are actively utilized as well. Since the 2000s, digital technologies are actively used for the development of social, instructional and educational posters. The advent of new technologies has led to modifications of the animated poster genre, changed the way it functions and converted its form. Along with cinematic and television forms - new types of animated posters have appeared which are used in outdoor advertising (billboards) as well as dynamic interactive banners and animated posters on web sites.

About the authors

Natalia G Krivulya

Author for correspondence.
Email: vestnik-vgik@vgik.info

PhD (Arts), Professor, Department of Animation and Multimedia, VGIK.

References

  1. Асенин С. Мир мультфильма: идеи и образы мультипликации социалистических стран. - М.: Искусство, 1986. - С. 204-230.
  2. Асенин С. Мудрость вымысла. Мастера мультипликации о себе и своем искусстве. - М.: Искусство, 1983. - С. 61-64, 85-88.
  3. Добренко Е. Советская реклама: между искусством и пропагандой // Политэкономия соцреализма // URL.: http://lib.sale/uchebnik-politicheskaya-ekonomiya/sovetskaya-reklama-mejdu-iskusstvom-34288.html (дата обращения: 23.08.2016).
  4. Евстафьев В.А. Журналистика и реклама: основы взаимодействия. - М.: ИМА-Пресс, 2001. - 264 с.
  5. Оганесян А.А. Рекламная деятельность (конспект лекций). - М.: Приор, 2002. - 160 с.
  6. Семенов Б.Д. Рекламный менеджмент: учеб. пособие. - 2-е изд. - М.: Информационно-внедренческий центр «Маркетинг», 2001. - 272 с.
  7. Феофанов О.А. Реклама: новые технологии в России. - СПб.: Питер, 2000. - 384 с.
  8. Cohen K. The development of animated. TV commercials in the 1940s // URL.: http:// www.animationjournal.com/abstracts/essays/Cohen.html (дата обращения: 20.08.2016).
  9. Cohen K. Animated Propaganda During the Cold War // URL.: http://www.awn.com/ animationworld/animated-propaganda-during-cold-war (дата обращения: 20.08.2016).
  10. Примером служит, в частности, ролик «Выбор Украины» (2013), созданный по заказу Луганского обкома коммунистической партии Украины // URL.: http://www. youtube.com/ watch?v= kxHNWG2wvg0 (дата обращения: 27.08.2016)
  11. Асенин С. Мудрость вымысла. Мастера мультипликации о себе и своем искусстве. М., 1983. С. 61-64, 85-88
  12. Асенин С. Мир мультфильма: идеи и образы мультипликации социалистических стран. М., 1986. С. 204-230
  13. Семенов Б.Д. Рекламный менеджмент. М., 2001
  14. Евстафьев В.А. Журналистика и реклама: основы взаимодействия. М., 2001
  15. Оганесян А.А. Рекламная деятельность (конспект лекций). М., 2002
  16. Феофанов О.А. Реклама: новые технологии в России. СПб, 2000
  17. Добренко Е. Советская реклама: между искусством и пропагандой // Политэкономия соцреализма // URL.: http://lib.sale/uchebnik-politicheskayaekonomiya/sovetskaya-reklama-mejdu-iskusstvom-34288. html (дата обращения: 23.08.2016)
  18. Karl F. Cohen Animated Propaganda During the Cold War // URL.: http: //www.awn. com/animationworld/ animated-propaganda-during-cold-war (дата обращения: 23.08.2016)
  19. Viva Carosello il blog // URL.: http://vivacarosello. blogspot.com. (дата обращения: 22.08.2016)
  20. Cohen K. The development of animated. TV commercials in the 1940s //URL.: http:// www.animationjournal. com/abstracts/essays/ Cohen.html (дата обращения: 20.08.2016)

Supplementary files

Supplementary Files
Action
1. JATS XML

Copyright (c) 2016 Krivulya N.G.



This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies