Email this article Countercommunicative Mechanisms in the Artistic Practice of Cinema
- Authors: Klyueva L.B1
-
Affiliations:
- VGIK
- Issue: Vol 7, No 4 (2015)
- Pages: 32-49
- Section: FILM LANGUAGE AND TIME | IMAGE GENESIS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14758
- DOI: https://doi.org/10.17816/VGIK7432-49
- ID: 14758
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Abstract
The article examines the role and significance of counter-communicative mechanisms in modern cinema. A detailed analysis of the strategy of de-automatization of artistic structure in Andrei Tarkovsky’s “The Mirror” is presented to support the article.
About the authors
Lyudmila B Klyueva
VGIK
Author for correspondence.
Email: editor@vestnik-vgik.com
Dr. in Art, Professor of Film Studies Department.
References
- Выготский Л.С. Психология искусства. - М.: Изд-во «Педагогика», 1987. - 344 с.
- Лотман Ю.М. Об искусстве. - СПб.: «Искусство-СПБ», 1998. - 704 с.
- Шкловский В.Б. Искусство как прием // Поэтика: сборники по теории поэтического языка: вып. 1-2. - Петроград: Опояз, 1919. - 173 с.
- Tarkovsky A. Sculpting in Time. - London, 1989.
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