Some Aspects of Film Color Semantics and Cultural Tradition

Abstract

The article is devoted to an important topic: the semantics of color in films and its reflection in the costume. It also touches upon the problem of visual perception and forming different color systems. The problem of color is essential for contemporary Russian cinema. Digital technologies open widest opportunities in the field of film production, but the available rich color palette is used very poorly. It is worth reminding that color is one of the film's main expressive means and should be treated with proper attention.

References

  1. Агостон Ж. Теория цвета и ее применение в искусстве и дизайне. М.: Мир, 19S2.
  2. Арнхейм Р. Искусство и визуальное восприятие. М.: Архитектура-С, 2007,
  3. Барт Р. Система моды. М.: Изд. им Сабашниковых, 2004.
  4. Гёте И. Избранные сочинения по естествознанию. М.: 1957.
  5. Железняков В. Цвет и контраст. М.: ВГИК 2001.
  6. Пармон Ф. М. Композиция костюма. М.: Легпромбытиздат, 1997.
  7. Флоренский П. А. Собр. соч. - Т. 1. Париж., 1985.
  8. Эйзенштейн С. М. Избр, произведения в шести томах. -Т.3. М.: Иск-во, 1964.

Supplementary files

Supplementary Files
Action
1. JATS XML

Copyright (c) 2010 Klopotovskaya E.A., Klopotovskaya Y.A.



This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies