Issue |
Section |
Title |
File |
Vol 10, No 4 (2018) |
PERFORMANCE | ART OF PRESENTATION |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
 (Rus)
|
Vol 8, No 3 (2016) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
 (Rus)
|
Vol 3, No 1 (2011) |
WORLD CINEMA | ANALYSIS |
New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc |
 (Rus)
|
Vol 2, No 4 (2010) |
WORLD CINEMA | ANALYSIS |
The Phenomenon of the French NewWave. Technology or Ideology? |
 (Rus)
|
Vol 2, No 3 (2010) |
WORLD CINEMA | ANALYSIS |
Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo |
 (Rus)
|
Vol 2, No 2 (2010) |
WORLD CINEMA | ANALYSIS |
Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte" |
 (Rus)
|
Vol 11, No 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
 (Rus)
|
Vol 11, No 4 (2019) |
100 YEARS of VGIK | FACULTIES AND DEPARTMENTS |
Directing Department: First Steps |
 (Rus)
|
Vol 12, No 3 (2020) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
 (Rus)
|
Vol 13, No 3(49) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Alexander Dovzhenko. Poetic Space of Immortality |
 (Rus)
|