作者的详细信息

Vinogradov, Vladimir

期	栏目	标题	文件
卷 10, 编号 4 (2018)	PERFORMANCE \| ART OF PRESENTATION	Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”	(Rus)
卷 8, 编号 3 (2016)	SCREEN CULTURE \| CULTURAL STUDIES. PHILOSOPHY	A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism	(Rus)
卷 3, 编号 1 (2011)	WORLD CINEMA \| ANALYSIS	New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc	(Rus)
卷 2, 编号 4 (2010)	WORLD CINEMA \| ANALYSIS	The Phenomenon of the French NewWave. Technology or Ideology?	(Rus)
卷 2, 编号 3 (2010)	WORLD CINEMA \| ANALYSIS	Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo	(Rus)
卷 2, 编号 2 (2010)	WORLD CINEMA \| ANALYSIS	Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte"	(Rus)
卷 11, 编号 4 (2019)	FILM LANGUAGE AND TIME \| IMAGE GENESIS	The Russian Intelligentsia: Taming Nihilism in the Stalin Period	(Rus)
卷 11, 编号 4 (2019)	100 YEARS of VGIK \| FACULTIES AND DEPARTMENTS	Directing Department: First Steps	(Rus)
卷 12, 编号 3 (2020)	FILM LANGUAGE AND TIME \| IMAGE GENESIS	The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”	(Rus)
卷 13, 编号 3(49) (2021)	THEORY AND HISTORY OF CINEMA \| AUDIOVISUAL ARTS	Alexander Dovzhenko. Poetic Space of Immortality	(Rus)