Individualism as a Cultural Syndrome in Recent American Cinema
- Authors: Tsyrkun N.A1
-
Affiliations:
- Institute of Film Art, VGIK
- Issue: Vol 9, No 2 (2017)
- Pages: 114-122
- Section: WORLD CINEMA | ANALYSIS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14669
- DOI: https://doi.org/10.17816/VGIK92114-122
- ID: 14669
Cite item
Full Text
Abstract
The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.
About the authors
Nina A Tsyrkun
Institute of Film Art, VGIK
Author for correspondence.
Email: editor@vestnik-vgik.com
Doctor in Arts, Head of the Department of Modern Screen Art
References
- Кнабе Г.С. Европа с римским наследием и без него. - М.: Государственный институт искусствознания, Нестор-История, 2011. - 258 с.
- Триандис Гарри К. Культура и социальное поведение. - М.: Форум, 2007. - 384 с.
- Sarris Andrew. The John Ford Movie Mystery. Bloomington: Indiana University Press, 1976. - 192 p.
- Asbjorn Gronstad. Gathering at the River: Ford, Peckinpah and the Failure of the Communal // American Studies in Scandinavia. Vol. 35, # 1, 2003. - P 51-67.
- Lyons Robert. Introduction. My Darling Clementine as History and Romance // John Ford, Director. New Brunswick-N.J.: Rutgers University Press, 1984. - P 3-17.