电邮这篇文章 Naomi Kawase: the Eternal and the Transitory
- 作者: Terakopyan M.L1
-
隶属关系:
- VGIK
- 期: 卷 7, 编号 4 (2015)
- 页面: 121-127
- 栏目: PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT
- URL: https://journals.eco-vector.com/2074-0832/article/view/14787
- DOI: https://doi.org/10.17816/VGIK74121-127
- ID: 14787
如何引用文章
全文:
详细
Naomi Kawase is one of the most renown female Japanese director, awarded by the Cannes Film Festival more than once. She works alternately in fiction and documentary film, not drawing a distinct line between the two. Her favored themes are birth and death, the union of man and nature; the most distinctive feature of her style is technical minimalism. The region of Nara, Kawase’s home - is almost always the location for her films.
作者简介
Maria Terakopyan
VGIK
编辑信件的主要联系方式.
Email: editor@vestnik-vgik.com
PhD in Art, leading researcher, Institute of Film Art
参考
- Barisone L., Causo M., Novielli M.R. Kawase Naomi: i film, il cinema. - Cantalupa: Effata Editrice IT, 2002. - 129 p.
- Daly, Fergus. Immanece and Transcendence in the Cinema of Nature // Senses of Cinema. 2000. December// URL.: http://sensesofcinema.com/2000/philosophy-criticism-film/nature/
- Karatsu, R. Questions for a Women s Cinema: Fact, Fiction and Memory in the Films of Naomi Kawase // Visual Anthropology. 2009. - March-June, Vol. 22, n. 2-3. - P. 167-181.
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