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期
标题
作者
卷 10, 编号 4 (2018)
Involuntary Behavior of Gogol’s Heroes
Mildon V.
PDF
(Rus)
卷 2, 编号 4 (2010)
"The Karamazov Brothers" as intellectualgames
Il'chenko S., Ilchenko S.
PDF
(Rus)
卷 6, 编号 2 (2014)
Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization
Yermilova N.
PDF
(Rus)
卷 3, 编号 1 (2011)
Maupassant's "Boule de Suif" in Soviet Translation
Rostotskaya M.
PDF
(Rus)
卷 7, 编号 4 (2015)
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.
PDF
(Rus)
卷 3, 编号 4 (2011)
“My Friend Ivan Lapshin” as a Screen Adaptation
Sibirtseva Y.
PDF
(Rus)
卷 8, 编号 3 (2016)
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream
Sputnitskaya N.
PDF
(Rus)
卷 3, 编号 4 (2011)
To the problem of correlation between a screen adaptation and its literary source
Simonova S.
PDF
(Rus)
卷 11, 编号 4 (2019)
Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel
Ryabokon’ A.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road»
Sibirtseva Y.
PDF
(Rus)
卷 11, 编号 2 (2019)
The image of prince Myshkin in Russian cinema
Ryabokon’ A.
PDF
(Rus)
卷 5, 编号 4 (2013)
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy
Khrenov N.
PDF
(Rus)
卷 2, 编号 2 (2010)
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate
Il'chenko S., Ilchenko S.
PDF
(Rus)
卷 6, 编号 1 (2014)
«The White Guard» on TV: fascinated by masscult mythology
Ilchenko S.
PDF
(Rus)
卷 2, 编号 1 (2010)
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V., Turitsyn V.
PDF
(Rus)
卷 6, 编号 1 (2014)
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov
Khrenov N.
PDF
(Rus)
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