Email this article The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
- Authors: Rusinova E.A1
-
Affiliations:
- VGIK
- Issue: Vol 9, No 1 (2017)
- Pages: 20-26
- Section: FILM LANGUAGE AND TIME | IMAGE GENESIS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14662
- DOI: https://doi.org/10.17816/VGIK9120-26
- ID: 14662
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Abstract
The article opening the cycle of publications Audiovisual Means of Creating Metadiegetic Space in Cinema’ systemizes means and technologies in sound direction that enable to create various spaces in a film as well as to convey the altered consciousness and the inner world of the character.
About the authors
Elena A Rusinova
VGIK
Author for correspondence.
Email: editor@vestnik-vgik.com
PhD in Art, Associate Professor, Vice-rector in charge of the Research Work
References
- Казарян Р. Эстетика кинофонографии. - М.: Эйзенштейн-центр, 2011. - 248 с.
- Bordwell D., Thompson K. Film Art: An Introduction 2nd. ed. - New York: Addison and Wesley, 1979. - 544 p.
- Chion M. Audio-Vision: Sound on Screen. - New York: Columbia University Press, 1994. - 270 p.
- Gorbman С. Unheard Melodies: Narrative Film Music. - Bloomington, Indiana: Indiana University Press, 1987. - 190 p.
- Schafer R.M. The New Soundscape. BMI Canada, 1969. - 67 p.
