Email this article American Biopic in Contemporary Cinema
- Authors: Morozova I.V1
-
Affiliations:
- VGIK
- Issue: Vol 8, No 1 (2016)
- Pages: 105-114
- Section: WORLD CINEMA | ANALYSIS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14738
- DOI: https://doi.org/10.17816/VGIK81105-114
- ID: 14738
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Abstract
Biopic has recently become a leading genre in the world film industry. These films are especially popular in the USA. It is the dominant and most influential trend in the modern American film production. The article analyses American biopic conventions, defines the stages of its evolution and basic types, categorizes its characters.
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About the authors
Irina V Morozova
VGIK
Author for correspondence.
Email: jazzforbliss@gmail.com
MA in Linguistics (Moscow State Univesity); Senior Lecturer, Foreign Languages, VGIK; Post-Graduate Student, Aesthetics, History and Theory of Culture, VGIK.
References
- Bingham D. “I Do Want to Live!”: Female Voices, Male Discourse, and Hollywood Biopics. Cinema Journal Vol. 38, No. 3 (Spring, 1999). - P 3-26.
- Bingham D. Whose Lives Are They Anyway: The Biopic as Contemporary Film Genre. Rutgers University Press, 2010. - 432 p.
- Custen G. Bio/Pics: How Hollywood Constructed Public History. New Brunswick, N.J.: Rutgers University Press, 1992. - 304 p.
- Kamp D. Rethinking the American Dream. Vanity Fair, April, 2009 // URL: http://www.vanityfair. com/culture/2009/04/american-dream200904 (дата обращения: 23.10.15).
- The Biopic in Contemporary Film Culture / edited by Tom Brown and Belén Vidal. Routledge. - NY, 2014. - 314 p.
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