Email this article State Guardianship of Cinema: The Issue of Goal-Setting
- Authors: Zhabsky M.I.1,2
-
Affiliations:
- Institute of Film Art (VGIK)
- State Institute of Art Studies
- Issue: Vol 6, No 3 (2014)
- Pages: 8-19
- Section: THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14821
- DOI: https://doi.org/10.17816/VGIK638-19
- ID: 14821
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Abstract
The article examines the goals of state guardianship of Russian cinema taking into account the interaction among the state’s objective interests and cinematic openness of the country, the globalization of filmmaking process and segmentation of audience by the 'consumer loyalty' criterion. The targets, classified as optimal, are considered in their correlation with the state’s cinema legislation currently in force. The concepts of competitiveness and social significance of national cinema are interpreted generally and properly.
About the authors
Mikhail Ivanovich Zhabsky
Institute of Film Art (VGIK); State Institute of Art Studies
Author for correspondence.
Email: m.zhabsky@gmail.com
hD in Sociology, Professor, Head of the Cinema Sociology Department, Institute of Film Art (VGIK), leading researcher (State Institute of Art Studies).
References
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- Малькова Л.Ю. Государственная поддержка неигрового кино // Вестник ВГИК. - 2013. - № 15. - 92-107 с.
- Тарасов К. Насилие в зеркале аудиовизуальной культуры. - М.: Белый берег, 2005. - 380 с.
- Moeschler O. Der Schweizer Film. Kulturpolitik im Wandel: der Staat, die Filmschaffenden, das Publikum. - Marburg, 1913. - 138 S.
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