电邮这篇文章 State Guardianship of Cinema: The Issue of Goal-Setting
- 作者: Zhabsky M.I.1,2
-
隶属关系:
- Institute of Film Art (VGIK)
- State Institute of Art Studies
- 期: 卷 6, 编号 3 (2014)
- 页面: 8-19
- 栏目: THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14821
- DOI: https://doi.org/10.17816/VGIK638-19
- ID: 14821
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全文:
详细
The article examines the goals of state guardianship of Russian cinema taking into account the interaction among the state’s objective interests and cinematic openness of the country, the globalization of filmmaking process and segmentation of audience by the 'consumer loyalty' criterion. The targets, classified as optimal, are considered in their correlation with the state’s cinema legislation currently in force. The concepts of competitiveness and social significance of national cinema are interpreted generally and properly.
作者简介
Mikhail Zhabsky
Institute of Film Art (VGIK); State Institute of Art Studies
编辑信件的主要联系方式.
Email: m.zhabsky@gmail.com
hD in Sociology, Professor, Head of the Cinema Sociology Department, Institute of Film Art (VGIK), leading researcher (State Institute of Art Studies).
参考
- Жабский М.И. Как возможно «свое» конкурентоспособное кино // Вестник ВГИК. - 2013. - № 16. - 102-120 с.
- Жабский М.И. Конкурентоспособность российского кинематографа // Журнал новой экономической ассоциации. - 2012. - № 2 (14). - 152-153 с.
- Малькова Л.Ю. Государственная поддержка неигрового кино // Вестник ВГИК. - 2013. - № 15. - 92-107 с.
- Тарасов К. Насилие в зеркале аудиовизуальной культуры. - М.: Белый берег, 2005. - 380 с.
- Moeschler O. Der Schweizer Film. Kulturpolitik im Wandel: der Staat, die Filmschaffenden, das Publikum. - Marburg, 1913. - 138 S.
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