Email this article Dynamics of Opera Screen Forms: Theoretical Aspects
- Authors: Masyandjinova A.V.1
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Affiliations:
- VGIK
- Issue: Vol 6, No 3 (2014)
- Pages: 51-60
- Section: PERFORMANCE | ART OF PRESENTATION
- URL: https://journals.eco-vector.com/2074-0832/article/view/14828
- DOI: https://doi.org/10.17816/VGIK6351-60
- ID: 14828
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Abstract
The article investigates the development of screen opera, touching upon the incompleteness of the evolution of opera screen forms, the convergence of screen culture and classical opera as well as the growing influence of screen art-forms on the opera which cannot exist without video technologies today.
About the authors
Alexandra Vadimovna Masyandjinova
VGIK
Author for correspondence.
Email: alme8030@gmail.com
PhD in Cultural Studies
References
- Citron M. J. Opera on screen. - Yale University Press, New Haven and London, 2000.
- Citron M. J. When opera meets film. - Cambridge University Press, 2010.
- Jampol J. Living opera. - Oxford University Press, 2010.
- Jeal E. Movies go to the opera // Opera, november. - 2005. - Volume 56. - No 11. - P 1308-1313.
- Манович Л. Новые медиа от Борхеса до HTML (пер. с англ. Т. Федоровой) // Экранная культура. Теоретические проблемы: сб. статей/ отв. ред. К.Э. Разлогов - СПб., 2012. - 752 с.
- Мариевская Н.Е. Историческое время в структуре фильма // Вестник ВГИК, ноябрь. - 2009. - № 1. - С. 10-25.
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