Email this article Cinematic Nature of English Pre-Raphaelites’ Painting
- Authors: Bernatonite A.V.1
-
Affiliations:
- Tomsk State Pedagogical University
- Issue: Vol 6, No 3 (2014)
- Pages: 61-70
- Section: PERFORMANCE | ART OF PRESENTATION
- URL: https://journals.eco-vector.com/2074-0832/article/view/14840
- DOI: https://doi.org/10.17816/VGIK6361-70
- ID: 14840
Cite item
Full Text
Abstract
The article analyses the peculiarities of the Pre-Raphaelite style from the viewpoint of its cinematic imagery. The work of Millais, Rossetti and Hunt is described in terms of film language (close-ups, the subdivision of the picture’s composition into individual narratives, the creation of a particular mood by using details, the background as a long shot, etc.) explaining the hyper-realism of the Pre-Raphaelites.
About the authors
Ada Vilisovna Bernatonite
Tomsk State Pedagogical University
Author for correspondence.
Email: ada_bernaton@inbox.ru
Phd in Art, assistant professor, Russian Film Histroy and Cultural Studies
References
- Де Кар Л. Прерафаэлиты: Модернизм по-английски. - М.: Астрель, 2002. - 128 с.
- Никитина И.И. Художественное пространство как категория современной эстетики // Вестник ВГИК, май. - 2013. - №16. - С. 66-81.
- Поэтический мир прерафаэлитов / The poetic world of the Pre-Raphaelites. - М., 2013.-368 с.
- Рескин Д. Лекции об искусстве. - М.: Б.С.Г.-ПРЕСС, 2011. - 319 с.
- Светлов И. Прерафаэлиты. - М.: Белый город, 2007. - 48 с.
Supplementary files
