Email this article Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev
- Authors: Kljueva L.B.1
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Affiliations:
- VGIK
- Issue: Vol 3, No 3 (2011)
- Pages: 6-22
- Section: THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
- URL: https://journals.eco-vector.com/2074-0832/article/view/15017
- DOI: https://doi.org/10.17816/VGIK336-22
- ID: 15017
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Abstract
The article analyses the director's strategy in A. Zvyagintsev's New-York, I Love You. This film is an observation, a cinematic deconstruction revealing the inner dramaturgy of the examined event. The film's semantic field is structured by the opposition the observer - the observed object. The scholar's task is to penetrate into the text's poetics based on double observation, i.e. the observation of the observer.
About the authors
Ljudmila Borisovna Kljueva
VGIKкандидат искусствоведения, доцент кафедры киноведения; ВГИК; VGIK
References
- А.Тарковский. Запечатленное время //Вопросы киноискусства. Вып. 10 М., 1967.
- А.Тарковский. Лекции по кинорежиссуре. - Киностудия «Ленфильм», 1989.
- М. Ямпольский. Видимый человек. - М.: НИИ киноискусства. Центральный музей кино. Международная киношкола. 1993.
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