Email this article A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema
- Authors: Kljueva L.B.1
-
Affiliations:
- VGIK
- Issue: Vol 3, No 1 (2011)
- Pages: 6-16
- Section: THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
- URL: https://journals.eco-vector.com/2074-0832/article/view/15035
- DOI: https://doi.org/10.17816/VGIK316-16
- ID: 15035
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Abstract
The article (for the beginning see Issue 6)
investigates the language system of the film «The Banishment»
in terms of the Transcendental Cinema. The main aim of
this work is to discover how the structure of the film and its
specific language manifest the Transcendental.
investigates the language system of the film «The Banishment»
in terms of the Transcendental Cinema. The main aim of
this work is to discover how the structure of the film and its
specific language manifest the Transcendental.
About the authors
Ljudmila Borisovna Kljueva
VGIKкандидат искусствоведения, доцент кафедры киноведения; ВГИК; VGIK
References
- Бергер П., Лукман Т. Социальное I.Paul Schrader. Transcendental Style in Film: Ozu, Bresson, Dreyer University of California Press, Berkeley Los Angeles and London, 1972.
- Лотман Ю.М. Структура художественного текста. - М.: Искусство, 1970.
- Салынский Д. Киногерменевтика Тарковского. - М. «Квадрига», 2009.
- Умберто Эко. Роль читателя. Исследования по семиотике текста. - Санкт-Петербург Symposium, - М.: Изд-во РГГУ, 2005.
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