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Title
Authors
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
Techniques for Representing the Author in Alexander Sokurov’s films
Klimenko N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
Stylistic Features Of Russian Arthouse
Poznin V.F.
“New Drama” in the Context of the Historical Film
Kuzmina L.V.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism
Vinogradov V.V.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.M.
1 - 17 of 17 Items

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