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Issue
Title
Authors
Vol 11, No 1 (2019)
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
PDF
(Rus)
Vol 13, No 1 (2021)
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
PDF
(Rus)
Vol 6, No 3 (2014)
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
PDF
(Rus)
Vol 11, No 2 (2019)
The sound world of the alienated film character
Rusinova E.A.
PDF
(Rus)
Vol 10, No 3 (2018)
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
PDF
(Rus)
Vol 9, No 2 (2017)
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
PDF
(Rus)
Vol 2, No 4 (2010)
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
PDF
(Rus)
Vol 11, No 3 (2019)
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
PDF
(Rus)
Vol 12, No 3 (2020)
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
PDF
(Rus)
Vol 10, No 3 (2018)
The Way of Genre in Cinema Documentary
Prozhiko G.S.
PDF
(Rus) PDF
(简体中)
Vol 12, No 2 (2020)
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
PDF
(Rus)
Vol 1, No 1 (2009)
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
PDF
(Rus)
Vol 4, No 2-3 (2012)
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
PDF
(Rus)
1 - 13 of 13 Items

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