Screen Image and the System of expressive Means in American Documentary of the 1960s
- 作者: Kazyutchits M.F1
-
隶属关系:
- VGIK
- 期: 卷 9, 编号 1 (2017)
- 页面: 90-101
- 栏目: WORLD CINEMA | ANALYSIS
- URL: https://journals.eco-vector.com/2074-0832/article/view/14672
- DOI: https://doi.org/10.17816/VGIK9190-101
- ID: 14672
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全文:
详细
The article investigates the system of expressive means in documentary cinema and TV programs formed by the Dew Associates, a group of American documentary filmmakers, focusing on the ‘Direct Cinema’ peculiarities including observation and montage. The artistic techniques found by the group laid the basis for solving a number of topical issues of modern art.
关键词
作者简介
Maksim Kazyutchits
VGIK
编辑信件的主要联系方式.
Email: editor@vestnik-vgik.com
PhD (Philosophy), senior researcher, Department of Modern Screen Art, Institute of Film Art
参考
- Казючиц М.Ф. Синтез выразительных средств неигрового телевидения и экспериментально-документального кино Канады 1950-1960-х годов // Вестник РГГУ. 2015. № 2. - С. 115-120
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- Прожико Г.С. Экран мировой документалистики (очерки становления языка зарубежного документального кино). - М.: ВГИК, 2011. - 285 с.
- Anthropology-Reality-Cinema / The Films ofJean Rouch. - L.: BFI, 1979. - 77 p.
- Levin G.R. Documentary explorations. - N. Y.: Garden city, 1971. - 420p.
- Mamber S. Cinema Verite in America. Massachusetts-London: MIT Press, 1974. - 288 p.
- Marcorelles L. Living Cinema: New Directions in Contemporary Film-Making. L.: George Allen&Unwin Ltd, 1973. - 156p.
- O'Connell P.J. Robert Drew and the development of cinema verite in America. S. I.: SIUPress, 2010. - 304p.
- Saunders D. Direct Cinema: Observational Documentary and the Politics of the Sixties. - L.; N.Y.: Wallflower Press, 2007. - 224 p.
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