Screen Image and the System of expressive Means in American Documentary of the 1960s

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Abstract

The article investigates the system of expressive means in documentary cinema and TV programs formed by the Dew Associates, a group of American documentary filmmakers, focusing on the ‘Direct Cinema’ peculiarities including observation and montage. The artistic techniques found by the group laid the basis for solving a number of topical issues of modern art.

About the authors

Maksim F Kazyutchits

VGIK

Author for correspondence.
Email: editor@vestnik-vgik.com

PhD (Philosophy), senior researcher, Department of Modern Screen Art, Institute of Film Art

References

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Copyright (c) 2017 Kazyutchits M.F.



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