电邮这篇文章 Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev
- 作者: Kljueva L.B.1
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隶属关系:
- VGIK
- 期: 卷 3, 编号 3 (2011)
- 页面: 6-22
- 栏目: THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
- URL: https://journals.eco-vector.com/2074-0832/article/view/15017
- DOI: https://doi.org/10.17816/VGIK336-22
- ID: 15017
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详细
The article analyses the director's strategy in A. Zvyagintsev's New-York, I Love You. This film is an observation, a cinematic deconstruction revealing the inner dramaturgy of the examined event. The film's semantic field is structured by the opposition the observer - the observed object. The scholar's task is to penetrate into the text's poetics based on double observation, i.e. the observation of the observer.
参考
- А.Тарковский. Запечатленное время //Вопросы киноискусства. Вып. 10 М., 1967.
- А.Тарковский. Лекции по кинорежиссуре. - Киностудия «Ленфильм», 1989.
- М. Ямпольский. Видимый человек. - М.: НИИ киноискусства. Центральный музей кино. Международная киношкола. 1993.
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