Email this article The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror
- Authors: Klyueva L.B1
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Affiliations:
- VGIK
- Issue: Vol 9, No 1 (2017)
- Pages: 76-88
- Section: SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY
- URL: https://journals.eco-vector.com/2074-0832/article/view/14668
- DOI: https://doi.org/10.17816/VGIK9176-88
- ID: 14668
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Abstract
The article is devoted to the research of the director’s strategy of A.Tarkovsky in his film “The Mirror” analyzed through the “mirror references” principle as a structure-forming text base. The film structure is viewed as a “film of projections”. The main aim of the article is to single out means of “mirror reflections” and technologies of creating mirror references that give birth to a unique film structure.
About the authors
Lyudmila B Klyueva
VGIK
Author for correspondence.
Email: editor@vestnik-vgik.com
Doctor in Arts, Associate Professor, Film Studies Department
References
- Выготский Л.С. Психология искусства. - М.: Педагогика, 1987. - 344 с.
- Лотман Ю.М. Об искусстве. - СПб.: «Искусство - СПБ», 1998. - 704 с.
- Салынский Д.А. Киногерменевтика Тарковского. - М.: Продюсерский центр «Квадрига», 2009. - 573 с.
- Tarkovsky Andrey. Sculpting in Time. - London. 1989.
- Ямпольский М.Б. Видимый мир. - М.: НИИК; Центральный музей кино; Международная киношкола, 1993. - 216 с.
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