| 期 |
标题 |
文件 |
| 卷 13, 编号 3(49) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| 卷 13, 编号 2(48) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| 卷 13, 编号 1 (2021) |
Media Image of the Screen as Representation of Sociocultural Reality |
(Rus)
|
|
Volkov S.
|
| 卷 12, 编号 4 (2020) |
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film |
(Rus)
|
|
Marievskaya N.
|
| 卷 12, 编号 3 (2020) |
Is Aesthetics a Metatheory in Relation to Art Criticism? |
(Rus)
|
|
Nikitina I.
|
| 卷 12, 编号 2 (2020) |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
KHrenov N.
|
| 卷 12, 编号 1 (2020) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.
|
| 卷 11, 编号 4 (2019) |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
Khrenov N.
|
| 卷 11, 编号 3 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.
|
| 卷 11, 编号 3 (2019) |
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category |
(Rus)
|
|
Nikitina I.
|
| 卷 11, 编号 2 (2019) |
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture |
(Rus)
|
|
Stroeva O.
|
| 卷 11, 编号 2 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.
|
| 卷 11, 编号 1 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.
|
| 卷 10, 编号 4 (2018) |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
|
Pondopulo G.
|
| 卷 10, 编号 4 (2018) |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
|
Nikitina I.
|
| 卷 10, 编号 2 (2018) |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
|
Stroyeva O.
|
| 卷 10, 编号 1 (2018) |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
|
Mankovskaya N.
|
| 卷 9, 编号 4 (2017) |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
|
Kharitonova N.
|
| 卷 9, 编号 3 (2017) |
Contextual Argumentation in the Humanities |
(Rus)
|
|
Ivin A., Nikitina I.
|
| 卷 9, 编号 3 (2017) |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
|
Kirillova N.
|
| 卷 9, 编号 2 (2017) |
Desktop Films. To Read or to Watch? |
(Rus)
|
|
Novikov V.
|
| 卷 9, 编号 1 (2017) |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
|
Klyueva L.
|
| 卷 8, 编号 4 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.
|
| 卷 8, 编号 3 (2016) |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
|
Vinogradov V.
|
| 卷 8, 编号 3 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.
|
| 卷 8, 编号 2 (2016) |
The Moral Law of Love Conservation |
(Rus)
|
|
Barabash N.
|
| 卷 8, 编号 2 (2016) |
Violence in Films: Three Preconditions for the Mimetic Effect |
(Rus)
|
|
Tarasov K.
|
| 卷 8, 编号 1 (2016) |
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance |
(Rus)
|
|
Mankovskaya N.
|
| 卷 7, 编号 4 (2015) |
Faith as One of the Universal Existential Categories |
(Rus)
|
|
Barabash N.
|
| 卷 7, 编号 3 (2015) |
Creative Process as an Aesthetic Entity |
(Rus)
|
|
Sveshnikov A.
|
| 卷 7, 编号 2 (2015) |
Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries |
(Rus)
|
|
Kharitonova N.
|
| 卷 7, 编号 2 (2015) |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
(Rus)
|
|
Sveshnikov A.
|
| 卷 7, 编号 1 (2015) |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
(Rus)
|
|
Stroeva O.
|
| 卷 6, 编号 4 (2014) |
Silver Age. Interference of the Russian and German Cultures |
(Rus)
|
|
Kharitonova N.
|
| 卷 6, 编号 3 (2014) |
Artistic Thinking as a Characteristic Property of Creative Intellect |
(Rus)
|
|
Andreyev A.
|
| 卷 6, 编号 3 (2014) |
Impressionism as an Expression of Social Consciousness |
(Rus)
|
|
Kharitonova N.
|
| 卷 6, 编号 3 (2014) |
Silence of the Author: Semantics of Muting in Cinema |
(Rus)
|
|
Mikheyeva Y.
|
| 卷 6, 编号 2 (2014) |
Free Will and Existentialism of Death |
(Rus)
|
|
Barabash N.
|
| 卷 6, 编号 2 (2014) |
Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19) |
(Rus)
|
|
Krivulya N.
|
| 卷 6, 编号 1 (2014) |
On representation and typology of the demoniac and monstrous characters |
(Rus)
|
|
Krivulya N.
|
| 卷 5, 编号 4 (2013) |
Hellenistic Period and Its Cultural Significance |
(Rus)
|
|
Pondopulo G.
|
| 卷 5, 编号 4 (2013) |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
|
Andreyev A., Andreyev I.
|
| 卷 5, 编号 3 (2013) |
Aesthetic Analysis of the Show as a Concept |
(Rus)
|
|
Vanchenko T.
|
| 卷 5, 编号 3 (2013) |
The Problem Field of Modern Information Space |
(Rus)
|
|
Malyshev A.
|
| 卷 5, 编号 2 (2013) |
Artistic Space as a Modern Aesthetical Category |
(Rus)
|
|
Nikitina I.
|
| 卷 5, 编号 2 (2013) |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
|
Malyshev A.
|
| 卷 5, 编号 1 (2013) |
Art and politics |
(Rus)
|
|
Nikitina I.
|
| 卷 5, 编号 1 (2013) |
About eternity concepts in the film structure |
(Rus)
|
|
Marievskaya N.
|
| 卷 4, 编号 4 (2012) |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
(Rus)
|
|
Mikheeva Y.
|
| 卷 4, 编号 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Nikitina I.
|
| 卷 4, 编号 2-3 (2012) |
Classic and Hellenistic Greece |
(Rus)
|
|
Pondopulo G.
|
| 卷 4, 编号 2-3 (2012) |
Who Is the Subject, and Who Is the Actor of Culture? |
(Rus)
|
|
Neretin O.
|
| 卷 4, 编号 2-3 (2012) |
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) |
(Rus)
|
|
Bychkov V.
|
| 卷 4, 编号 2-3 (2012) |
Problems of Animation Film Visual Anthropology |
(Rus)
|
|
Krivulya N.
|
| 卷 4, 编号 1 (2012) |
Philosophic Foundations of an Audiovisual Counterpoint in a Film |
(Rus)
|
|
Mikheeva Y.
|
| 卷 3, 编号 4 (2011) |
Liberty as a Cultural Value |
(Rus)
|
|
Mezhuyev V.
|
| 卷 3, 编号 4 (2011) |
Alfred Schnittke and the End of Russian Classic Music |
(Rus)
|
|
Mikheyeva Y.
|
| 卷 2, 编号 4 (2010) |
Modern Visual Culture: Psychological Space and Time in the Movies |
(Rus)
|
|
Kosenkova N., Kosenkova N.
|
| 卷 2, 编号 3 (2010) |
On the methodology of the study of ontology in the concept of cinema Andre Bazin |
(Rus)
|
|
Schtein S.
|
| 卷 2, 编号 2 (2010) |
Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) |
(Rus)
|
|
Koblenkova D., Koblenkova D.
|
| 卷 2, 编号 1 (2010) |
Films about filmmaking. Reality and game |
(Rus)
|
|
Perel'shteyn R., Perelshtein R.
|
| 卷 1, 编号 1 (2009) |
Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf |
(Rus)
|
|
Shaturnaya Y.
|
| 卷 1, 编号 1 (2009) |
Alteration of perception of the screen image - actual trend analysis |
(Rus)
|
|
Kosenkova N.
|
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