Issue |
Section |
Title |
File |
Vol 10, No 3 (2018) |
TELEVISION | DIGITAL ENVIRONMENT |
Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country |
 (Rus)
|
Vol 9, No 3 (2017) |
WORLD CINEMA | ANALYSIS |
India and England in the Mirror of Screen |
 (Rus)
|
Vol 8, No 4 (2016) |
WORLD CINEMA | ANALYSIS |
Two Peoples, Two Worlds |
 (Rus)
|
Vol 8, No 3 (2016) |
WORLD CINEMA | ANALYSIS |
A Criminal as the Main Movie Character, or Old Themes and New Solutions |
 (Rus)
|
Vol 7, No 4 (2015) |
WORLD CINEMA | ANALYSIS |
The Theme of Apocalypse in Australian Cinema |
 (Rus)
|
Vol 7, No 2 (2015) |
WORLD CINEMA | ANALYSIS |
World War II in the Cinema of Green Continent |
 (Rus)
|
Vol 6, No 4 (2014) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
James Mangold is “a jewel of a man” in American Cinema |
 (Rus)
|
Vol 6, No 2 (2014) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Both Screenwriter and Director |
 (Rus)
|
Vol 6, No 1 (2014) |
WORLD CINEMA | ANALYSIS |
The Silent Era in Australian Cinema |
 (Rus)
|
Vol 5, No 3 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Baz Luhrmann’s creative manner |
 (Rus)
|
Vol 5, No 2 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
M.Night Shyamalan’s Ups and Downs |
 (Rus)
|
Vol 5, No 1 (2013) |
PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT |
Rolf de Heer, one of the most unpredictable film directors |
 (Rus)
|
Vol 4, No 2-3 (2012) |
WORLD CINEMA | ANALYSIS |
«Terra Incognita» Cinema |
 (Rus)
|
Vol 4, No 2-3 (2012) |
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS |
Cinema and Advertising: Enemies or Allies? |
 (Rus)
|
Vol 11, No 1 (2019) |
WORLD CINEMA | ANALYSIS |
Australian cinema: transforming youth issues over time |
 (Rus)
|
Vol 11, No 3 (2019) |
WORLD CINEMA | ANALYSIS |
The story of one crime: in life, in literature and in cinema |
 (Rus)
|