Issue |
Section |
Title |
File |
Vol 7, No 1 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
S.M. Eisenstein’s Aesthetics in Semiotic Perspective |
 (Rus)
|
Vol 7, No 2 (2015) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Eisenstein’s Aesthetics in Semiotic Perspective |
 (Rus)
|
Vol 6, No 1 (2014) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov |
 (Rus)
|
Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
 (Rus)
|
Vol 5, No 3 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
 (Rus)
|
Vol 11, No 2 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
 (Rus)
|
Vol 11, No 1 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
 (Rus)
|
Vol 11, No 3 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
 (Rus)
|
Vol 11, No 4 (2019) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern Art History As a Human Science in a Situation of Cultural Turn |
 (Rus)
|
Vol 12, No 1 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern art history as a human science in a situation of cultural turn |
 (Rus)
|
Vol 12, No 2 (2020) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Modern Art History As a Human Science in a Situation of Cultural Turn |
 (Rus)
|
Vol 13, No 2(48) (2021) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
 (Rus)
|
Vol 13, No 3(49) (2021) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
 (Rus)
|