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Issue

Title

Authors

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 12, No 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 4, No 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.S.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 8, No 4 (2016)

“Provincial” Cinema on Global Orbits

Kirillova N.B.

(Rus)

Vol 9, No 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 13, No 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 3, No 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 5, No 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.A.

(Rus)

Vol 13, No 2(48) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 3, No 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 13, No 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 11, No 3 (2019)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 3, No 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 6, No 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 9, No 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.F.

(Rus)

Vol 11, No 3 (2019)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 5, No 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.V.

(Rus)

Vol 7, No 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.O.

(Rus)

Vol 2, No 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.S.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 7, No 2 (2015)

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 13, No 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 12, No 3 (2020)

Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture

Krivulya N.

(Rus)

Vol 11, No 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E.A., Klopotovskaya Y.A.

(Rus)

Vol 2, No 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 2-3 (2012)

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

Vol 4, No 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.P.

(Rus)

Vol 5, No 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 6, No 2 (2014)

Screenplay as a Dynamic Process Model

Marievskaya N.Y.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 8, No 1 (2016)

Love in the Soviet Qnema as the Stereotype of Gender Relations

Fanina M.A.

(Rus)

Vol 9, No 4 (2017)

Criteria of Composition of Documentaries about Nature

Berkova N.N.

(Rus)

Vol 10, No 2 (2018)

Financing Cinema Production as a High-Risk Activity

Molchanova N.P.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 12, No 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

Vol 11, No 4 (2019)

Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound

Rusinova E.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 2, No 2 (2010)

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 2, No 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 4, No 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 1 (2013)

State backing of non-fiction film

Malkova L.Y.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4 (2015)

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.L.

(Rus)

Vol 7, No 1 (2015)

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 8, No 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2 (2017)

Compensatory Happy Ending as a Typological Group of a Film Finale

Shevtsov V.A.

(Rus)

Vol 9, No 4 (2017)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.F.

(Rus)

Vol 10, No 2 (2018)

Psychological Insight in Asgar Farhadi’s Early Films

Grigorieva N.G.

(Rus)

Vol 10, No 3 (2018)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 11, No 3 (2019)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 2, No 2 (2010)

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V.A., Utilov V.

(Rus)

Vol 2, No 4 (2010)

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S.L., Urazova S.L.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 5, No 2 (2013)

Algeria: Birth of Cinema

Shakhov A.S.

(Rus)

Vol 6, No 1 (2014)

Mir Mamoru Osii: illyuziya ili real'nost'?

Terakopyan M.L.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4 (2015)

Reconstruction as the Character Depiction Method in Documentary

Troukhina A.V.

(Rus)

Vol 8, No 3 (2016)

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Kazyutchits M.F.

(Rus)

Vol 8, No 4 (2016)

Newsreel: Is Its Revival Possible?

Malkova L.Y.

(Rus)

Vol 9, No 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 13, No 2(48) (2021)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 11, No 3 (2019)

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 2, No 2 (2010)

The Unknown Cinema of the War and Victory

Grashchenkova I.N., Grashchenkova I.N.

(Rus)

Vol 2, No 4 (2010)

A Film Director in Search of the Genre

Maslennikov I.F., Maslennikov I.F.

(Rus)

Vol 3, No 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 4, No 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1 (2013)

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3 (2014)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.Y.

(Rus)

Vol 7, No 2 (2015)

Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 3 (2015)

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

Vol 8, No 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 9, No 2 (2017)

“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries

Mylnikov D.Y.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 10, No 4 (2018)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.V.

(Rus)

Vol 12, No 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 1, No 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 2, No 3 (2010)

On the methodology of the study of ontology in the concept of cinema Andre Bazin

Schtein S.Y.

(Rus)

Vol 3, No 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 4 (2011)

Alfred Schnittke and the End of Russian Classic Music

Mikheyeva Y.V.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 6, No 1 (2014)

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.A.

(Rus)

Vol 7, No 2 (2015)

Screen Communications As a Form of Socialization and Individualization

Urazova S.L.

(Rus)

Vol 7, No 4 (2015)

Screening Zurbagan: On Use of Animation in Russian Feature Cinema

Sputnitskaya N.Y.

(Rus)

Vol 7, No 3 (2015)

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.D.

(Rus)

Vol 8, No 2 (2016)

Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch

Fanina M.A.

(Rus)

Vol 9, No 2 (2017)

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.A.

(Rus)

1 - 100 of 146 Items 1 2 > >>

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