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Title
Authors
Cinema Magic: Mask and Myth
Kirillova N.
Camp Aesthetics and Movie Mix
Tsyrkun N.A.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
From Greek Tragedy To Opera-Film
Kropova D.S.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.G.
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Kropova D.S.
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s
Apostolov A.I., Apostolov A.I.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Riddle as a Structural Element of the Quest Genre
Yankovskiy A.N.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
The Significance of Myth in the Work of Andrey Zvyagintsev
Kljueva L.B.
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
European Film Avant-Garde: phenomenological interpretation of reality
Lyubovich M.V.
1 - 17 of 17 Items

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