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Issue

Title

Authors

Vol 10, No 3 (2018)

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 10, No 4 (2018)

Visual Picture of the World in the Reflection of Modern Media

Utilova N.I.

(Rus)

Vol 12, No 3 (2020)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 5, No 2 (2013)

Magic Realism of André Delvaux

Zakrevskaya A.A.

(Rus)

Vol 13, No 2(48) (2021)

Historical Trauma as a Source of Grotesque in Cinema

Babina A.

(Rus)

Vol 12, No 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 4 (2020)

The Image of War in the Cinema of the 60s. Knights without Past and Future

Ianushko A.V.

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 10, No 4 (2018)

Composition as a Method of Communication in the Teaching of Fine Arts

Sveshnikov A.V.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 3, No 2 (2011)

To the Semiotics of the Mirror and Reflectivity

Kljueva L.B.

(Rus)

Vol 4, No 4 (2012)

Phenomenon of the System Repetition in Photography as an Alternative to Film

Burov A.M.

(Rus)

Vol 8, No 1 (2016)

Landscape as a Leitmotif of a Film

Shakhovskaya N.A.

(Rus)

Vol 12, No 1 (2020)

Historical time and the image of the house in A. Sokurov’s work

Klimenko N.V.

(Rus)

Vol 11, No 2 (2019)

The image of prince Myshkin in Russian cinema

Ryabokon’ A.V.

(Rus)

Vol 3, No 3 (2011)

Language, Speech and Image in Analysing Artistic Forms

Mikheyeva Y.V.

(Rus)

Vol 4, No 2-3 (2012)

World War Two in the Cinema of the Late 1950s

Zaitseva L.A.

(Rus)

Vol 10, No 1 (2018)

The Media Image as a Motivator for the Humanization of Society

Vazhenina O.A.

(Rus)

Vol 11, No 4 (2019)

Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound

Rusinova E.

(Rus)

Vol 2, No 3 (2010)

Early Antique Imagery

Burov A.M.

(Rus)

Vol 3, No 3 (2011)

The Line in Neo-Modernism Geometrical Abstraction

Burov A.M.

(Rus)

Vol 9, No 4 (2017)

Criteria of Composition of Documentaries about Nature

Berkova N.N.

(Rus)

Vol 11, No 3 (2019)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 2, No 4 (2010)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 3, No 4 (2011)

Basic Aspects of the Development of Systematic Repetition in Fine Art

Burov A.M.

(Rus)

Vol 6, No 3 (2014)

Collage Methods in Russian Animation Under Market Conditions

Trapeznikova Y.V.

(Rus)

Vol 9, No 4 (2017)

Contemporary Hero in the Wartime Chronotope

Muradov A.B., Shergova K.A.

(Rus)

Vol 11, No 1 (2019)

Visual picture of the world in the reflection of modern media

Utilova N.I.

(Rus)

Vol 2, No 4 (2010)

Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent"

Burov A.M., Burov A.M.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 6, No 3 (2014)

Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries

Koneva M.N.

(Rus)

Vol 10, No 1 (2018)

Maurice Maeterlinck’s Philosophy of Art

Mankovskaya N.B.

(Rus)

Vol 11, No 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 3, No 2 (2011)

The Parable in the Work of World Film Masters

Tugushi S.A.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 3, No 1 (2011)

Hellenistic Reform. Epicureanism and Image Deviations

Burov A.M.

(Rus)

Vol 4, No 2-3 (2012)

The Image of Home in Cinema

Reizen O.K.

(Rus)

Vol 7, No 2 (2015)

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Malkova L.Y.

(Rus)

Vol 11, No 2 (2019)

Artistic features of Russian TV serials about the Great Patriotic War

Shergova K.A., Muradov A.B.

(Rus)

Vol 3, No 2 (2011)

Giotto: Open Cubes, Shallow Depths and Specific Repetition

Burov A.M.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century

Burov A.M.

(Rus)

Vol 7, No 3 (2015)

Representation of Youth in Soviet Cinema of the 1950s

Zharikova V.V.

(Rus)

Vol 10, No 4 (2018)

Contemporary Russian Cinema and Its World Contexts

Reisen O.K.

(Rus)

1 - 46 of 46 Items

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