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Issue

Title

Authors

Vol 10, No 3 (2018)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 5, No 2 (2013)

Golden Eagle-2013. Inpressions

Yeliseyeva Y.A.

(Rus)

Vol 5, No 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 7, No 3 (2015)

Evolution of Dramaturgy of Fiction Popular Science Films

Kolodinskiy M.N.

(Rus)

Vol 13, No 2(48) (2021)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

Vol 12, No 3 (2020)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 4, No 4 (2012)

Golden Eagle-2012. Inpressions

Yeliseyeva Y.A.

(Rus)

Vol 1, No 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 7, No 4 (2015)

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 1 (2017)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.N.

(Rus)

Vol 1, No 1 (2009)

Historical time in a film structure

Marievskaya N.E.

(Rus)

Vol 7, No 4 (2015)

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 8, No 3 (2016)

Documentaries, 21st Century: Time to Sum Up

Poznin V.F.

(Rus)

Vol 2, No 3 (2010)

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.P.

(Rus)

Vol 6, No 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 7, No 3 (2015)

Representation of Youth in Soviet Cinema of the 1950s

Zharikova V.V.

(Rus)

Vol 8, No 4 (2016)

Two Peoples, Two Worlds

Zvegintseva I.A.

(Rus)

Vol 3, No 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 6, No 3 (2014)

Crime Teenpic as a Subgenre of American Cinema

Zharikova V.V.

(Rus)

Vol 9, No 1 (2017)

The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror

Klyueva L.B.

(Rus)

Vol 3, No 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 8, No 1 (2016)

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.N.

(Rus)

Vol 9, No 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 7, No 2 (2015)

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Malkova L.Y.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 9, No 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.F.

(Rus)

Vol 12, No 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 7, No 2 (2015)

World War II in the Cinema of Green Continent

Zvegintseva I.A.

(Rus)

Vol 8, No 3 (2016)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.A.

(Rus)

Vol 9, No 4 (2017)

Contemporary Hero in the Wartime Chronotope

Muradov A.B., Shergova K.A.

(Rus)

Vol 11, No 3 (2019)

The story of one crime: in life, in literature and in cinema

Zvegintseva I.A.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 7, No 4 (2015)

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.L.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 10, No 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

1 - 37 of 37 Items

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