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标题
作者
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
Animated Poster: Its Origins, Specificity and Peculiarity
Krivulya N.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.
Screen image. Aftereffect
Poznin V.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.
Impact of Technology on Screen Aesthetics
Poznin V.
Postmodernism as Myths Generating Practice
Mankovskaya N.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R., Naveskin R.
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art
Stroeva O.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S., Urazova S.
Video Aesthetics in Cinema and Video Art
Smolev D.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
Functional Duality of Cinema
Ushkarev A.
The Role of Memory in the Perception of the Screen Image
Nikitina I.
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems
Molchanov I.
Art and politics
Nikitina I.
On The Matter of Market in Cinema
Zhabskiy M.
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