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Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.

(Rus)

卷 12, 编号 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

卷 12, 编号 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

卷 13, 编号 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

卷 12, 编号 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

卷 8, 编号 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.

(Rus)

卷 12, 编号 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

卷 11, 编号 1 (2019)

电视屏幕上的游乐设施: 交通线游戏的规则

Rusinova E.

(Eng)

(Rus)

Existential problematics in the films of Pedro Costa

Sandu V.

(Rus)

卷 2, 编号 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V., Sidornko V.

(Rus)

卷 4, 编号 4 (2012)

Phenomenon of the System Repetition in Photography as an Alternative to Film

Burov A.

(Rus)

卷 8, 编号 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.

(Rus)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.

(Rus)

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.

(Rus)

卷 2, 编号 2 (2010)

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V., Utilov V.

(Rus)

卷 5, 编号 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.

(Rus)

卷 8, 编号 3 (2016)

Indian Cinema: Past and Present

Nefedova D.

(Rus)

卷 9, 编号 3 (2017)

India and England in the Mirror of Screen

Zvegintseva I.

(Rus)

卷 10, 编号 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

The sound world of the alienated film character

Rusinova E.

(Rus)

卷 2, 编号 4 (2010)

"The Karamazov Brothers" as intellectualgames

Il'chenko S., Ilchenko S.

(Rus)

卷 6, 编号 4 (2014)

James Mangold is “a jewel of a man” in American Cinema

Zvegintseva I.

(Rus)

卷 8, 编号 3 (2016)

A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism

Vinogradov V.

(Rus)

卷 9, 编号 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.

(Rus)

卷 10, 编号 4 (2018)

Contemporary Russian Cinema and Its World Contexts

Reisen O.

(Rus)

卷 11, 编号 4 (2019)

The Russian Intelligentsia: Taming Nihilism in the Stalin Period

Vinogradov V.

(Rus)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.

(Rus)

卷 2, 编号 4 (2010)

The Phenomenon of the French NewWave. Technology or Ideology?

Vinogradov V., Vinogradov V.

(Rus)

卷 7, 编号 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.

(Rus)

卷 9, 编号 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.

(Rus)

卷 10, 编号 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.

(Rus)

卷 11, 编号 4 (2019)

CILECT as the Project of a World Film School: Origins, Specifics, Development

Malyshev V.

(Rus)

卷 11, 编号 1 (2019)

Cinematic media in digital culture

Bakulev G.

(Rus)

卷 3, 编号 1 (2011)

Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"

Ilchenko S.

(Rus)

卷 7, 编号 3 (2015)

Video Aesthetics in Cinema and Video Art

Smolev D.

(Rus)

卷 8, 编号 4 (2016)

Patterns of Behavior in the Great Patriotic War’s Soviet Cinema

Rostotskaya M.

(Rus)

卷 9, 编号 4 (2017)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.

(Rus)

卷 11, 编号 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.

(Rus)

卷 1, 编号 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.

(Rus)

卷 3, 编号 3 (2011)

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.

(Rus)

卷 7, 编号 3 (2015)

State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation

Zhdanova V.

(Rus)

Cinema of Arabic East: the Problem of Radical Islam

Shakhov A.

(Rus)

卷 9, 编号 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

卷 11, 编号 1 (2019)

Contemporary Russian cinema and its world contexts

Reisen O.

(Rus)

卷 2, 编号 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A., Tolkachov A.

(Rus)

卷 4, 编号 1 (2012)

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.

(Rus)

卷 8, 编号 1 (2016)

American Biopic in Contemporary Cinema

Morozova I.

(Rus)

The Problem of Adaptation of Utopias in Russian Cinema

Shesteric O.

(Rus)

卷 10, 编号 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E., Habchuk E.

(Rus)

卷 10, 编号 4 (2018)

世界影坛杰作对制片人创造性世界观的影响

Malyshev V.

(Eng)

(简体中)

(Rus)

卷 1, 编号 1 (2009)

Postmodernism as Myths Generating Practice

Mankovskaya N.

(Rus)

卷 4, 编号 4 (2012)

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.

(Rus)

卷 8, 编号 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.

(Rus)