Issue |
Section |
Title |
File |
Vol 10, No 4 (2018) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 9, No 1 (2017) |
PERFORMANCE | ART OF PRESENTATION |
Music as a Part of the Theatrical Game of the Movie |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 7, No 1 (2015) |
PERFORMANCE | ART OF PRESENTATION |
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 6, No 3 (2014) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Silence of the Author: Semantics of Muting in Cinema |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 5, No 4 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 5, No 3 (2013) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 4, No 4 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 4, No 1 (2012) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Philosophic Foundations of an Audiovisual Counterpoint in a Film |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 3, No 4 (2011) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
Alfred Schnittke and the End of Russian Classic Music |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 3, No 3 (2011) |
Articles |
Language, Speech and Image in Analysing Artistic Forms |
![PDF](/img/labels/pdf.png) (Rus)
|
Vol 11, No 3 (2019) |
WORLD CINEMA | ANALYSIS |
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics |
![PDF](/img/labels/pdf.png) (Rus)
|